Posts Tagged Chris Rea

The Undercover Soundtrack – Anne Allen

for logo‘Tragedy and loss are cornerstones of my story’

Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold  a moment still to explore its depths. This week my guest is romance mystery novelist Anne Allen @AnneAllen21

Soundtrack by Philip Chapman, Denis Quinn, Medwyn Goodall, Terry Oldfield, Johann Pachelbel, Rod Stewart

Thanks, Roz, for allowing me to air my thoughts on the music that influences me while I write. Your series has shown how varied the music is that writers listen to in their search for creativity. My own selection is quite limited in comparison but it did inspire me while writing my first novel.

Iphoto for emailA meditative space

I do love music but there are also times when it seems to get in the way; I find myself so drawn into the music, particularly vocal, that I literally lose the plot! Music helps to create the mood, spark the creativity but then must either be less noticeable or pertinent to what I’m writing at that time. My normal listening taste is quite eclectic; Michael Jackson, Adele, Nina Simone, Pavarotti, 1812 Overture, Chris Rea… And I love the more meditative New Age music which always formed a backdrop to my sessions when I practised as a hypnotherapist.

While writing my first novel Dangerous Waters I started off by playing New World Collection Relaxation II, a compilation of different artists playing hauntingly beautiful music which fed my soul while I stepped into the unknown as a writer. The first track, Wisdom by Philip Chapman, is played on a piano but with strings in the background and always calms me. My central character, Jeanne Le Page, is a young woman returning to her island home of Guernsey for the first time in 15 years, after fleeing to England as a girl of 16. She had lost her family in a tragic accident and now returns after the death of her grandmother, while also mourning the end of a long-term relationship. Tragedy and loss are the cornerstones to the story but as time goes on, hope of a fresh start and new love appear and the mood changes. My favourite track on this album, Soldier of Love by Denis Quinn, is in harmony with this change and provided the ideal background for the latter part of the writing process.

Seeking catharsis

Jeanne experiences so many conflicting emotions through the story and music helped me to identify with them. I cried at times too, the words and music encouraging me to release my own grief as I wrote. I had lost two people I had loved and writing Dangerous Waters proved a catharsis. Another favourite of mine is the Pachelbel Canon which I found inspirational as I grappled with difficult chapters. Bearing in mind that this was the first time I’d written anything more substantial than a 500-word true-life story, I was in a constant state of insecurity; totally untutored. Entering the heads of other characters was also challenging, but I could empathise with some more than others. Molly, a character in the book, was based on a family friend. She was also a hypnotherapist who played a part in helping Jeanne to recover the memory lost after the accident and I played tracks such as Dream by Medwyn Goodall and Wings of the Morning by Terry Oldfield during the hypnosis sessions in the story to evoke the right ambience. At least there I was on known territory!

dangerouswaters_anneallenAs Jeanne began to blossom and a new man- actually men! – appeared on the scene, I felt the need for different inspiration and listened to a Rod Stewart album. I know, I know! A bit off piste, perhaps, but it was fun and sexy and that’s what I, or rather Jeanne, needed. The album was If We Fall In Love Tonight. The title says it all, but there were particular tracks that, ahem, helped with certain scenes, such as Tonight’s the Night and Sometimes When We Touch. Rod’s gravelly voice provided, I have to say, both a distracting but complementary background to the writing.

We all respond to music in one way or another. Memories, both good and bad, are triggered by hearing even just a few bars of a tune that resonated with us at one time. Perhaps we take it for granted that it’s there, in the background of our lives, not always listening. But I’m convinced we would miss it if it was no longer there in our world and we have the composers, lyricists and artists to thank for offering us such a rich choice for our inspiration and comfort. Like books, music enriches our lives and I wouldn’t be without it.

Anne Allen lives by the sea in Devon, UK, having finally settled down; perhaps. She spent many years working as a psychotherapist but knew the ‘creative’ in her had to escape one day. In the past two years she has published two novels, Dangerous Waters and Finding Mother; her third book, Guernsey Retreat, is due out later in 2014. Her genre is romance/mystery and romance/family drama and Dangerous Waters won Silver in the Wishing Shelf Book Awards 2012. Her website is www.anneallen.co.uk and she can be found on Twitter as @AnneAllen21.

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The Undercover Soundtrack – Liz Fisher-Frank

for logo‘Music without words explains the terror of the people’

Once a week I host a writer who uses music as part of their creative process – perhaps to open a secret channel to understand a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s guest is debut novelist Liz Fisher-Frank @LizFisherFrank

Soundtrack by Chris Rea, Lucy Rose, Cat Stevens, Michael Kamen, Freddie Mercury, Montserrat Cabelle

I’ve been a lawyer for many years. I’ve had a fairly unusual legal career as for much of it, I specialised in representing teenagers in care. I’d regularly go out to foster placements and children’s homes to meet with my clients and take instructions. Often there could be problems around contact with family and/or siblings or maybe concerns about placements, where homes were not working out. Christmas always made me think about my clients, particularly those living in children’s homes, as no matter how hard people try, for some children, Christmas Day, family, presents, sacks, dinner, TV is  quite a different experience to that which many children have.

LizFisherFrankChristmas

Driving Home for Christmas by Chris Rea – although this is not my favourite Christmas song by a long shot – makes me think of families at Christmas time. You can’t argue with a good power ballad and it’s no wonder that this song is such a yuletide favourite, topping Christmas playlists up and down the country. But it’s Lucy Rose’s amazing cover that helped me understand my two central characters. Her haunting voice in this pared-down version brings to mind those children and young people whose family life is so very different. In Losing Agir, my two key characters, Alice (a 15-year-old from the UK who is in care) and Agir (a 16-year-old Kurdish boy smuggled into the UK) have both faced family loss, separation and tragedy and this factor somehow unites them despite their very different cultural backgrounds.

School life

Alice, a teenager wanting to fit in at school, pretends to like the music the popular girls are into but secretly, would listen to something with more meaning. Alice reads and loves the classics – a copy of Wuthering Heights plays a important role in linking Alice and Agir. I decided Alice would listen to songs and really think about the poetry of their words – the simplicity of Cat Stevens’s Morning has Broken would give her the message that although difficult, life goes on and tomorrow is another day.

A village torn apart

My book starts at the violent destruction of the Kurdish village of Ormanici, which was situated in the mountains of South-East Turkey. The village was destroyed by Turkish soldiers in the 1990s and formed the basis of a human rights case which was later taken to the European Court of Human Rights in Strasbourg. It is the story of the villagers, who won their case, which inspired me to write. My story starts as the soldiers attack the village and Agir and his family, along with the rest of the villagers, are pulled from their home at gunpoint. This part of my book is, I hope, dramatic. Livestock are shot, homes are burned to the ground, families are pulled apart, women scream, men are dragged away and forced to lie blindfolded, face down in the snow. Having read the case transcript and written the story, this scene is about emotive music, where music, without words, far better explains the terror of the people. I found the mood I was looking for in Michael Kamen’s soundtrack to Band of Brothers.

LOSING AGIRThe vital clue

From the dramatic areas to the developing love story between my characters, my ideas, plotlines and characterisation are largely affected by my thinking time which for me, works best when I am running. Since I’ve been writing, I’ve had various moments of getting stuck and for some reason, Freddie Mercury somehow seems to get me past it. In Losing Agir, I was struggling to work out how Alice, a young person lacking confidence, would connect the ‘bad’ characters to enable her then to smash a child smuggling ring. I can remember the moment as I was running with Barcelona gently starting in my iPod. I’d been thinking and thinking about how I could tie the story together. But as the song began to build, my thoughts did too. Then, as Freddie and Montserrat Caballe reached the final ‘Barcelona,’ an idea which had been gathering somewhere in the background burst at high speed into my head. As the very distinctive bells signified the end of the track, I stopped, almost expecting to see fireworks at the realisation that I could possibly make my story work. Muttering a thankful ‘yesssss,’ and ignoring the awkward glances of a couple out walking their poodle, I then carried on my way.

Liz Fisher-Frank has for many years worked as a children’s rights lawyer.  Specialising in representing teenagers in care, Liz has also campaigned to improve information about and access to law and rights. Drawing on these themes, Liz’s first book, Losing Agir, is a teen thriller published by Red Lion Books and is the story of two young people from different cultures and backgrounds who unite to seek justice.  For more information see www.lizfisherfrank.com, read her blog or follow her on twitter at @lizfisherfrank and facebook.

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