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Once a week I host a writer who uses music as part of their creative process – perhaps to tap into a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s post is by YA author Laura Pauling @laurapauling
To quote Randy Jackson from American Idol: ‘The transference of emotion is what the audience wants.’
Readers more than anything want to feel what we’re feeling when we put our hearts into a story. Whether it’s heartbreak, humour, revenge, sorrow…etc. And sometimes listening to the right kind of music, a certain song that pushes my heart to its limit, can transfer over to my writing.
Stories at your fingertips
So when I was writing A Spy Like Me, I took into account that this was a fun, suspenseful story. I listened to Taylor Swift a lot. Her teenage voice and lyrics pumped into my ears while the story poured out through my fingertips. And it really helped lift my mood and emotions to where they needed to be.
A Spy Like Me is about change. Seventeen-year-old Savvy is uprooted from her home and moved to Paris, France. She lives with her dad and misses her mom. But sometimes change is what we need to find the answers. And that holds true for Savvy. Here’s Taylor’s song, Change. One of many I listened to.
The whole story, Savvy fights for knowledge. She’s tired of the lies and strikes out to find the truth…by – you guessed it – spying! But through the chaos and danger, sometimes, she wouldn’t mind going back to before it all began, when her mom lived at home and they were a family. Here’s Taylor’s song, Back to December.
Of course, living with a teenage daughter helps; and together, we’re putting together a great playlist for this spy trilogy. Kelly Clarkson: Stronger (What Doesn’t Kill you) and Break Away; Colbie Caillat: Brighter than the Sun, Natasha Bedingfield: Pocketful of Sunshine
That’s just the start. But I’ll stop there. Just watching these videos and listening to the tones and the themes give me goose bumps. Like they were written for Savvy and what she’s experiencing.
Not about the lyrics
Sometimes it’s not the lyrics of a song that match my story, but the emotion. And that’s what writing comes down to: how well the author captures the emotion behind the story. For example, Christina Perri’s Jar of Hearts: a hugely popular song. It was the sound and tone of this song. It moved me. It’s filled with this aching emotion that drives me to write. It still does when I hear it. I have yet to act on it. Someday…
Why did Adele win the Grammy? She was just singing a song about a guy breaking up with her and wishing him the best. There are countless songs like that from the past, in the present and in the future. But her big time emotion transferred to her audience. The incredible unique voice helps too. Listen to Adele sharing about Someone Like You and singing it in her home. Incredible.
Emotion on the page
In all my writing, whether a fun spy adventure in Paris or not, I strive for that emotion to come across on the page and to my readers. I will work toward that every time I sit down to write. And I’ll keep doing it.
It’s funny. I accepted Roz’s invitation to guest post on this series but waited days to write it. I knew what I wanted to say but I wasn’t sure how to approach it. It wasn’t until tonight, watching American Idol and hearing Randy say, ‘transference of emotion’ that it all came together. Why I listen to music when I write (not when I edit). Why I find songs that fit the tone and style of my writing. And why as a writer I learn so much about storytelling from listening to a heartfelt song.
Thanks for having me, Roz. It’s an honour.
Laura Pauling writes about spies, murder and mystery. Her debut novel, A Spy Like Me, is available at Amazon, Barnes & Noble, and Smashwords and her blog is here. Visit her blog before May 25 for a Spies, Murder and Mystery Marathon with guest posts and free giveaways.
A Spy Like Me, Adele, American Idol, authors, Christina Perri, Colbie Caillat, Desert Island Discs, Kelly Clarkson, Laura Pauling, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Natasha Bedingfield, playlist for writers, Roz Morris, Taylor Swift, The Undercover Soundtrack, undercover soundtrack, writers, writing to music
- 'Constant murmur of pouring rain, piano chords and a stormy sea'
- 'A spellbindingly good yarn'
- 'Simple, beautiful - gripping'
- 'So original it's in a class of its own'
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
- Carol is a concert pianist until an injury threatens her career. Desperate for a cure she discovers her future incarnation - or is he a psychological figment? And can he help her recover?
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- All content copyright Roz Morris 2011, 2012, 2013, 2014. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
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What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'