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The Undercover Soundtrack – Yasmin Selena Butt

for logo‘Music is fuel to take me where the characters go’

Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold  a moment still to explore its depths. This week my guest is Yasmin Selena Butt @YasminSelena

Soundtrack by Jeff Buckley, Death in Vegas, PiL, The Smashing Pumpkins, The Pixies, Nine-Inch Nails, Skunk Anansie, Garbage, Portishead, The Cure, Interpol, Cocteau Twins, Editors

If I hadn’t have become a novelist with a 36G chest, I would have been a rock star. I’m serious.  You try learning electric guitar when you can’t see the strings, it’s dead tricky. Music is huge for me, HUGE. When I was 15, I made a decision not to live abroad because you couldn’t buy Smash Hits in Pakistan. Music back then was the only thing keeping me alive. It fuelled me. I couldn’t risk losing it.

P1000839CropIt was a huge, creative fuel when penning my debut, Gunshot Glitter.  The title might be familiar to you if you’re a fan of the singer, Jeff Buckley.  If you’re not, it was a bonus track released on his posthumous album Sketches for my Sweetheart the Drunk. I loved the song, and, if I’m honest loved the title more. The song itself is lo-fi, distorted, wobbly but utterly impassioned.

Crime drama morality tale

In my novel, Gunshot Glitter is the name of an infamous London burlesque club. How would I describe the story?  It’s the genre-bending story of an incinerated boy who never quite goes away; a morality tale, broadly a crime drama. I was thrilled it was shortlisted as a self-published read by The Guardian last year, along with the tome of my kind blog host Roz Morris. (Thanks! – Ed)

This year, I hope to give it the launch it deserves. It hasn’t had that yet for good reasons. Last year, I almost died of anaphylactic shock at a club on the launch of the print edition. It was a surreal way to discover you now possess a lethal shellfish and nut allergy. This year I hope to do the novel justice.

While writing it, I used mainly alternative music as a fuel to take me to the places where the characters go, especially Celine, the protagonist. And some of the songs I played also feature in the novel.  When I listened to them, I got so immersed in the music, the songs become little stories within themselves, almost like an operetta with tragedy and pathos in spades running riot in my head. I made two CD compilations ‘Black Glitter’ and ‘Angry Glitter,’ depending on where I needed to go creatively, each featuring 18 songs.  Black Glitter was achingly emotional, gut wrenching and tender.

Angry glitter

Bands featured on Angry Glitter included Death in Vegas, PiL, The Smashing Pumpkins, The Pixies, Nine Inch Nails, Skunk Anansie. Garbage’s Vow from their debut album is amazingly powerful. I played this song literally on repeat when writing some of Celine’s pivotal scenes when she made some of the darkest decisions of her young life. Portishead’s incredibly sexy Strangers ended up featuring in a bittersweet memory for Cornelia:

She had been obsessed with Strangers with its melody full of dark, sexy suggestion. It turned her on. She even choreographed an examination piece to it. Cornelia put it on and, when it kicked in with its sleazy, dark electronic riff, she winced. Now she hated it. It reminded her of all she’d lost. It’s just music, she said fiercely through gritted teeth, ‘just music!’ Music could never punish her like her own guilt could.

The Cure is a band that bonds lovers Anis and Celine. I played Disintegration heavily when writing their more intense scenes. And Interpol’s Narc rears its head in the aftermath of their sex, like a shadow in the background on the wall.  Other songs such as Blind, Dumb Deaf by The Cocteau Twins, was just powerful, no intelligible words as Liz Fraser doesn’t use them, but you can’t help but feel a strong sense of foreboding when you hear it, and, when I was getting inside protagonist’s Cornelia Friend’s twisted head  this track made me think of her.  It made me think of someone splintering on the inside, as did  Editor’s Munich.

GG front cover resized promo(808x1280)There is a darkness, intensity, danger, sorrow, passion and fury that dominates the music that literally leaches out onto the pages. When you have great music, fuelling your fingertips, you’re almost obliged to create an impressive result to justify the privilege of what you’re listening to.

When you read the behemoth or listen to the soundtrack, I’ll let your ears and eyes decide if the fifteen year old girl who grew up to write that novel, made the right call to coming home to grow up in London. I hope you believe that she did.

Yasmin Selena Butt was born and lives in London. She has worked in the Maldives as an English language trainer, freelanced in marketing and been published by The Times as a music writer.  She has also written over a thousand poems, exhibited her fiction and photography and performed her debut reading at Proud Galleries in Camden. She adopted ‘Selena’ as her middle name in 2000, after meeting a concierge who told her the story of the naming of his own daughter, Yasmin Selena. She has since repaid the favour by naming a character in Gunshot Glitter after him. Gunshot Glitter is available from Amazon, Kobo and Smashwords and in print from her website. Tweet her as @YasminSelena

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‘Music is fuel to take me where the characters go’ – Yasmin Selena Butt

for logoMy guest this week swears that if her chest hadn’t obscured her view of her guitar, she’d have been a rock star. Some of her early life decisions were dictated by the need to be connected to music, and when she wrote her crime novel set in a London burlesque club, she had two flavours of playlist – angry and dark. Fiction nearly became reality when she had a near-death experience at her book launch – which I was startled to hear because I remember when her cheerful invitations were circulating on Facebook. Thankfully she lived to tell the tale. She is Yasmin Selena Butt and she’ll be here on Wednesday with her Undercover Soundtrack.

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The Undercover Soundtrack – Candace Austin

for logo‘The perfect song to help my characters flourish’

Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold  a moment still to explore its depths. This week’s post is by magical realist suspense novelist Candace Austin @caustinauthor

Soundtrack by Brandi Carlile, Jamie Cullum, Michael Johns and Brooke White, The Beatles, John Lennon

There are two things from which I abstain while writing—music and wine. I write better in silence while sober. Maybe this is why I work through a first draft fairly quickly?

I can reduce the bustling of my busy family to a low murmur with my thoughtful plotting, but music, I cannot. It’s captivating to me. Music does, however, play a huge role in the growth of my novels. Once my protagonists and their stories germinate in my brain, I set out in search of a song that will help them flourish. It never fails. I find a perfect song that speaks to their stories and tells me their secrets. It’s as if the song was created just for my characters—for me.

CandaceClosup

Past lives

My debut novel, The Layers, is the story of David Kiplinger, a 19-year-old living in a post-Unveiling age in which most everyone remembers past lives. When TheLayers.b4u website (think Facebook meets Ancestry.com for millennia past and present) reveals that David has lived exponentially more lives than anyone else on earth, he’s lifted to a level of fame reserved for the divine. To answer questions and diffuse the onslaught of attention, David agrees to an autobiography, but when he meets his ghostwriter, Holly Stone, he can’t help but wonder if she’s the woman who has lived alongside him, the one he has loved unconditionally, the one who killed him.

Regardless of David’s suspicions about Holly, theirs is a sweet and humorous story of unconditional, eternal love … and irony, there is irony. When I heard Brandi Carlile’s The Story, I knew it was their song. Ms. Carlile sings about the layers, the depth of our individual life stories and how immensely satisfying it is to find that one person who knows your story like the back of their hand and appreciates it for all that it is, and all that it’s not. It’s messy. It’s glorious. Life’s elation and misery are there in her lyrics. I often listened to it before I began my daily writing. The intensity with which she sings the song inspired me to elevate the emotions as I wrote, and I think The Layers turned out better for it. How this song was not a chart topper, I’ll never know.

Whimsical and inspiring

One song does not fit all, however. Much of The Layers is humorous, and I found that I needed to shift into another gear when writing the lighthearted scenes. Jamie Cullum’s remake of Ruby and the Romantic’s classic Our Day Will Come struck the perfect chord. The tune is whimsical and inspiring, hopeful and innocent, much like David.

NOOK _ THE LAYERS COVERDavid handles his complicated relationship, newfound fame, and status as the most reincarnated of men with a cheerful optimism. He likes to think that living is a gift, not a punishment. Life is Okay by Michael Johns and Brooke White embodies the guarded optimism that defines him.

Rounding out my playlist is In My Life by The Beatles and Imagine by John Lennon. Obviously, there’s a theme here—life. Music helps me contemplate life. Just imagine what life would be like if we remembered being someone else, somewhere else? (insert Twilight Zone theme). Would we launch into a new life knowing what to savor? Would the world improve because we understood without a doubt what is important?

Ooh. I will now listen to music with a glass of wine in-hand!

Candace Austin is the author of The Layers and In Her Sleep. Her fast-paced, suspenseful novels use magical realism to explore love, life, and the humorous and heart-wrenching oddities in both. Originally from the Chicago suburbs, Candace resides in Raleigh, North Carolina with her husband of 20 years, two kids (one heading for college, the other kindergarten), a hefty Golden Retriever, and a Maine Coon Cat that comes and goes as he dang well pleases. When not writing, she enjoys NC State football games (particularly the tailgating), and traveling to Maine to spend time with her parents and family. Find her on her website and on Twitter as @caustinauthor

That’s the last Undercover Soundtrack for 2013! The series will return on 8 January.

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