Posts Tagged Iron Maiden

The Undercover Soundtrack – Pete Lockett

for logo‘The moment of making the first sound or writing the first word is special’

Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold  a moment still to explore its depths. This week my guest is award-winning percussionist Pete Lockett @petelockett

Soundtrack by Pete Lockett with Björk, Peter Gabriel, Robert Plant, Dido, Bill Bruford, Jeff Beck, Ustad Zakir Hussain, The Verve, Texas, Trans-Global Underground, Nelly Furtado, Lee Scratch Perry, Primal Scream,  Damien Rice, Dave Weckl, Thomas Lang, Jarvis Cocker, Craig Armstrong, Nicko McBrain, Iron Maiden,  U Shrinivas, Ronan Keating, Vanessa-Mae, Errol Brown, Rory Gallagher, Pet Shop Boys,  Hari Haran,  Kodo, Amy Winehouse, Mel C, A R Rahman,  Sinead O’Connor

This music is just incredible; I’ve never heard anything like it before.”

I doubt if anyone outside of this community ever has.   This is what you get when Brahms and Bach have been living next door to one another for hundreds of years.They don’t even use notation any more.They’ve just devised a way to conduct the whole group with nods, looks and head shakes.Look, can you see them there at either side? Bach is doing all the spiky staccato stuff and Brahms is doing the smooth legato.It’s all totally improvised and will never happen again. Every rendition is completely different.They both claim that it is the highest level of composition one can reach.Instantaneous composition, conducting and performance.”

When Ed Trew wakes up with a killer hangover, little does he realise that it is the beginning of a mind-boggling journey of revelations and surprises that completely reshapes his view of the world. In the midst of chaos and confusion he becomes completely seduced by music.

Pete MED RESMusic showed a path

It’s no surprise that music and the arts so often act as a liberating influence, giving some lucky individuals the chance a world of creativity and hope. I am grateful to fate to have been propelled out of an ordinary, functional and less than satisfying existence. Music came and lifted me away and showed me a path towards self fulfilment where my mind could become a canvas for fresh ideas. Everything about music fascinated me and as I grew, I slowly started absorbing influences from every corner of the globe, from India to Africa and Nepal to New York – the systems and techniques, sounds, colours and moods. It also led me to a much deeper understanding of people, their motivations, formalities and habits. The way people make music reveals a lot about the culture from which they have flourished.

This ‘open plan’ consumption and integration of varied influences naturally became a cornerstone of my writing when I finally got around to penning a novel. Having had a great degree of freedom in my interpretation and mixing of musical styles, it was natural that this approach got carried over into ideas and stories.

When I sit down and compose music, I start with nothing.   That moment of making the first sound or writing the first note is always special, all the more so because I have no idea where it is going to lead. This influenced me directly to try the same thing with words, to take a simple starting point and embark on a journey, not knowing where or how I would get between the various points along the way.

Creative dialogue

I knew I wanted to have the same freedom that I find in music, able to bring together seemingly disparate concepts and make a new sense out of it all. To be unbound by all that is ‘normal’ but convincing enough to create a dialogue that stands up under scrutiny. As I wrote more and more, I was amazed about how similar the creative buzz was between both of them. I never thought I would find anything that gave me the spiritual lift that music making did but was convinced otherwise during the writing of A Survivor’s Guide to Eternity.

Just as I would embark on so many journeys with my work as a musician, so the character in my book is thrown headlong into an incredible journey, except his is through life, death, reincarnation and the afterlife. Little does he realise that it’s the beginning of a mind-boggling journey of revelations and surprises that completely reshapes his view of the world.

Structure and suspense

Once I really started to get into it, the writing and music began to feed one another even more in quite an inspiring way. A good gig would send me straight back to the hotel with my laptop to get writing and vice versa. I began to think through certain pieces of music and see how the suspense built up over a set time frame, keeping the listener engaged and waiting for the next development. Indian classical music is perfect for that, especially over long periods of time. I began to experiment to see how I could mirror that in my storytelling, sowing seeds and planting suggestions, but all the while keeping the reader impatient for the detail of the next development.   As I thought about it, more and more parallels became apparent between literature and music.

Front COVERBefore I knew it I was unconsciously taking on board the broad shapes of pieces of music, flowing like a river around bends and over rocks, sometimes calm and sometimes ferocious. It gave me a great insight into how to approach the timeline within the novel, sometimes going slowly and patiently before propelling it through rapids and over rocks down towards a calming resolution.

There’s so much in common between the two disciplines. One tells a story with words and the other with sound. We need to keep the listener/reader interested with suggestions but not in a way that paints an obvious picture. We need to create suspense, excitement, anticipation and resolution. I never thought they would be quite so interlinked.

Pete Lockett has recorded and/or performed with Björk, Peter Gabriel, Robert Plant, Dido, Bill Bruford, Jeff Beck, Ustad Zakir Hussain, The Verve, Texas, Trans-Global Underground, Nelly Furtado, Lee Scratch Perry, Primal Scream,  Damien Rice, Dave Weckl, Thomas Lang, Jarvis Cocker, Craig Armstrong, Nicko McBrain (Iron Maiden),  U Shrinivas, Ronan Keating, Vanessa-Mae, Errol Brown, Rory Gallagher, Pet Shop Boys,  Hari Haran,  Kodo, Amy Winehouse, Mel C, A R Rahman,  Sinead O’Connor and many more.  He arranged and recorded ethnic percussion for five Bond films and other Hollywood blockbusters and has taught and lectured worldwide, including The Royal College, Berklee School of Music Boston, and The Royal Academy of Music in London.  He is the author of Indian Rhythms for the Drum Set (Hudson). A Survivor’s Guide To Eternity is his first novel. Here he is on a mountain with percussionist Benny Greb. Find him on Twitter @PeteLockett

 

 

, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

5 Comments

The Undercover Soundtrack – Wendy Storer

for logo‘Drumming is my heartbeat’

Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold  a moment still to explore its depths. This week my guest is Mslexia award-winning YA novelist Wendy Storer @WendyStorer

Soundtrack by Metallica, Linkin Park, Papa Roach, Avenged Sevenfold, Rush, Green Day, Razorlight, The Killers, Blink 182, Led Zeppelin, Rolling Stones, Nirvana, The Who, Black Sabbath, Iron Maiden, Sugarcult, Rise Against, Arvo Part, Willie Nelson, Seafood

Bring Me Sunshine is the story of a young musician, Daisy, a wannabe rock drummer thwarted in her ambition by her dad’s resistance to noise. She’s 15 when she realises his bizarre behaviour and increasing number of memory lapses might be due to more than a quirky personality, and as the story unfolds the impact of Dad’s dementia on Daisy’s life is uncovered.

pics 160

Hope, direction and power

I couldn’t have written this story without immersing myself in the sort of music Daisy loved and aspired to play.

Drumming is my heartbeat…

she says; it gives her hope, direction and power. When she can no longer play, she is lost.

I listened to hours, days, weeks’ worth of music in order to put myself in Daisy’s shoes. I found myself thinking ‘Daisy would LOVE this’, or ‘this isn’t Daisy at all’. I discovered bands like Linkin Park, Papa Roach, Avenged Sevenfold and Rush, and made myself a playlist of their music. Other bands on the list were Green Day, Razorlight, The Killers, Blink 182, as well as the rock gods of my own teen years: Led Zeppelin, Rolling Stones, Nirvana, The Who, Black Sabbath, Iron Maiden, Metallica…

Daisy’s playlist took me back in time to the memory of what it was like to be a teenager, (messing up at school, falling in love for the first time, wanting something so terribly badly that just didn’t seem possible) and helped me connect to her life now.

Bring Me Sunshine is a sad story, but it’s also a story of hope, of living in the moment and how that sets Daisy free, so the music I chose to listen to was often tinged with sadness, always powerful and at times liberating.

This song for example – Nothing Else Matters by Metallica – never failed to put me in touch with Daisy. I imagined her wrestling with her fears, afraid of the consequences of both truth and lies, then hearing Metallica’s power ballad about the need to trust in ourselves and be true to who we really are, before coming down on the side of truth.

Songs for resonance

Each chapter is a song title, and every single song was chosen deliberately for its emotional resonance. Daisy listens to: Numb by Linkin Park when she first starts to realise something is wrong with Dad; I Miss You by Blink 182 when she’s remembering her mum; Memory by Sugarcult when Dad remembers his brother Ziggy; No Prayer for the Dying by Iron Maiden when Daisy and little brother Sam go out into the stormy night to search for their lost dad. These are all powerful pieces of music with a touch of melancholy, and mean something in the context of Daisy’s experiences in the book. This is Letting Go by Rise Against has a more hopeful vibe and it’s what Daisy (and I) listen to when Daisy finally faces up to her problems and tells someone what’s going on at home.

And so my playlist, my undercover soundtrack, is also Daisy’s. Apart from this one piece of music – Variationen zur Gesundung von Arinuschka by Arvo Pärt. I would often listen to this while out on Kendal Castle with my dogs. It’s a piano solo, which begins with a simple melody and builds into something more complete and rounded. There was something about the quiet minimalism of this tune which always helped me get back to the story. There’s still that hint of melancholy in the beginning, but as the tune builds, the deliberateness and focus somehow takes over. On reflection there is something about this tune which mirrors Daisy’s journey. I did not know until I wrote this post that the title means Variations for the Healing of Arinushka. I couldn’t find anything about the history if this piece but I completely ‘get’ how the healing quality of this piece has always led me back to Daisy’s story.

New Bring Me Sunshine-KindleThe referenced title track of Bring Me Sunshine is an acoustic version of the song by Willie Nelson.  Sunshine (both literally and metaphorically) is what Daisy needs in her life.

If I had to choose one song from Daisy’s playlist to represent the story, I would choose this one – This Is Not An Exit, by Seafood with Caroline Banks on drums. It comes near the end of the story, when Daisy has started to play the drums again and is able to listen to tracks with female drummers once more. This song captures the mood of the book for me. There’s something about the quality of the sound, the chord dynamics and the lyrics also, which resonates with the Daisy in me, in a way that the other songs don’t quite. When I hear this, I can feel Daisy fighting back, finding herself and knowing that whatever has happened in the past, and whatever else happens in the future, she will find a way to be happy.

Wendy Storer is the author of YA stories Bring Me Sunshine and Where Bluebirds Fly. Bring Me Sunshine was a finalist in the Mslexia Children’s Novel Competition 2012. She is interested in stories which tug at the heart strings and the amazing resilience of people who battle through desperate situations to come out the other side, happier. Originally from Essex, Wendy now lives in Cumbria where she teaches creative writing to adults and children, and offers editorial help to writers through Magic Beans literary service. When not writing, Wendy likes to walk her dogs, spend time with her family, and find new and exciting food combinations involving peanut butter. Find her on her website, blog, and on Twitter as @WendyStorer

, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

3 Comments

Follow

Get every new post delivered to your Inbox.

Join 247 other followers