‘Music for the inner wilderness’
Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week my guest is women’s fiction writer Anne Stormont @WriteAnne
Soundtrack by Rufus Wainwright, Tom Baxter, Van Morrison, Elbow, Cat Power, Neil Diamond, Louis Armstrong, Glen Hansard and Marketa Irglova, Don Maclean, Military Wives, Blair Douglas, Greg Laswell, Bat for Lashes, Ungar and Mason
It took me almost a decade to write and publish Change of Life. It was a brush with mortality following my diagnosis with ovarian cancer in 1998, and an Arvon Foundation writing course that finally spurred me into getting my writing act together. And so, while teaching full time and putting the finishing touches to my fledgling adult children, I began.
I love music. I have eclectic tastes, from musicals, to Scottish traditional, through hard rock, and classical to contemporary. I’ve always had a soundtrack running in the background. I studied for high school and university exams with 1960s and 70s rock and pop in the background. I got through my cancer treatment to a background of songs by the Lighthouse Family and others, put together by my daughter on a mixtape – remember those?
And it has continued to be music that provides me with focus. While I’m writing, even if I’m not consciously hearing it, it’s on and it keeps me in the zone. It’s very much a mood thing for me. Much like inhaling a reminiscence-filled scent, a few bars of the right music and I’m transported.
Change of Life has two main characters, husband and wife, Tom and Rosie. The narration is in first person and Tom and Rosie take it in turns to tell their story.
Tom, being male, was a challenge to write, but it was one I relished. To get into his head it was Rufus Wainwright’s Do I Disappoint You, Tom Baxter’s My Declaration and Van Morrison’s Have I Told You Lately that did it. Tom betrays Rosie’s trust and, when their resulting separation after more than 20 years of marriage, and Rosie’s diagnosis with breast cancer threaten to rob him of his wife forever, he has to do a lot of soul-searching and face up to some difficult truths. These tracks captured both Tom’s anger and his yearning. They helped keep me ‘in character’ and to tap into the appropriate emotions.
Making the switch to Rosie’s head was helped by Elbow’s Grounds For Divorce, Cat Power’s Woman Left Lonely and Neil Diamond’s You Don’t Bring Me Flowers. She also experiences anger and yearning, but this is overlaid with the fear that her cancer may kill her. When writing these darker passages it was Louis Armstrong singing We Have All The Time In The World that helped me bring out the poignancy of her situation.
Then as the story came towards its conclusion, it was If You Want Me by Glen Hansard and Marketa Irglova, along with And I Love You So by Don Maclean that kept me focussed and at the right emotional temperature.
For my new novel Displacement, it was mainly the Military Wives album In My Dreams that helped me set the tone. Again there are two main characters, Rachel and Jack. Two very different characters, both with their own demons, they meet in dramatic circumstances on the Isle of Skye. Rosie, a sheep farmer and writer of children’s books, is grieving for her dead soldier son, and retired policeman, Jack, is facing up to some difficult truths about himself. They begin an unlikely friendship. The story is set on Skye and in the completely contrasting, but no less dramatic landscape of Israel/ Palestine. The Soldier’s Lullaby and Sonamarg by Skye musician Blair Douglas also featured in supporting roles, as did Your Ghost by Greg Laswell. This last one captured Jack’s longing and conflict perfectly. I should also mention Wilderness by Bat for Lashes, which perfectly reflects both the natural wilderness of Skye and the Middle East and the inner wilderness of the two main characters. And finally, the Ashkovan Farewell by Ungar and Mason was the one track that broke through any resistance I felt when I came to the desk to write this novel. It just led me straight in. What more can a writer ask of their musical soundtrack?
Anne lives in the Scottish Hebrides. She can be a subversive old bat, but she maintains a kind heart. She’s about to take early retirement after 36 years as a primary school teacher. Her stories are about and for the sometimes invisible women; the 1960s feminists; women in their late 40s, 50s, 60s and beyond; thinking, feeling, loving, intelligent women. There is a strong element of romance in her books, but she’s resistant to the restrictive ‘romantic fiction’ label as she likes to think there’s more to her novels than just romance. Her first novel, Change of Life, is about to be republished under her own imprint Rowan Russell Books and, her second novel, Displacement, is due to be published at the end of May. Her work-in-progress is a children’s novel called The Silver Locket and is scheduled for release in the summer. Anne tweets as @writeanne and she blogs at http://putitinwriting.me She also writes for Words With Jam and is a member of the Alliance of Independent Authors.
#1 by johnnycrowman on May 14, 2014 - 3:12 pm
Reblogged this on On Writing & Editing and commented:
rock and write with my pal, Anne Stormont
#2 by Karen Lynne Klink on May 14, 2014 - 4:18 pm
I play music, too. I have my playlists named for the mood I need for different scenes similar to yours, and I turn them up to drown out my husband’s football games!