‘Five characters, five musical identities’
Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week my guest is contemporary fiction author, poet, editor and singer-songwriter Jessica Bell @MsBessieBell
Soundtrack by Judy Garland, Magic Dirt, Hole, Lene Lovich, I Killed the Prom Queen, Metallica
White Lady is written from the perspective of five different characters, each in first person, so, in addition to my usual character-defining tactics, I decided to give three of them specific music tastes. These music tastes also really helped to mould the personalities of these characters, and made it easier for me to write in their different voices.
The musical soundtrack fan: Somewhere Over the Rainbow by Judy Garland
Sonia Shâd, an Australian/Turkish high school mathematics teacher and wife of Melbourne’s leading drug lord, is addicted to slicing people’s throats and admiring the blood cascade down her victims’ chests.
Now the clichéd thing to do would have been to make her a fan of heavy metal. I didn’t want to go the typical route. Instead, I thought it would be a little more creepy having a song associated with innocence and finding true bliss linked to Sonia finding her true bliss—the pleasure of a kill.
I’ve also used the rainbow as a metaphor for Sonia’s passion for numbers:
It is seven a.m. and everyone’s mailboxes are decorated with dew. When I was a child, I liked to think the dew meant fairies had been out to play during the night. Especially when the sun shone through dispersive prisms of condensation, creating a field of colour across my front lawn. It was the rainbow that first got me interested in mathematics and physics, and its ever-elusive pot of gold. It didn’t take long for me to rationalize that the pot of gold was simply the bait to enrich my knowledge.
As an extra quirk, Sonia’s doorbell plays this song when it’s pressed.
The female rock goddess fan: Dirty Jeans by Magic Dirt; Skinny Little Bitch by Hole; Bird Song by Lene Lovich
Mia Weston is an insecure overweight high school student, who turns to drugs to lose weight, and experiments with her sexuality to manipulate her drug dealer. She falls for Sonia’s son, Mick, and gets caught up in his family’s criminal activities. She enjoys every minute of it, because it makes her feel beautiful. She experiences a tug of war with her conscience — good girl (who is insecure about her looks, and wants to be a good daughter for her single father) versus bad girl (a beauty queen in Mick’s eyes, and bold and confident when engaging in illegal activities).
Mia is also an aspiring songwriter and turns to these female rock goddesses for inspiration.
I don’t, however, just use these songs to represent Mia’s personality. I make sure the songs appear in the story when the lyrics actually mean something to the scene.
For example, she turns Dirty Jeans up full blast when she realizes she might be falling for Mick. The first line of the song is about being attracted to an ordinary boy. Mick is far from an ordinary boy. Mia listening to this song is almost trying to convince herself that there is nothing to worry about, that Mick may be different than most, but deep down he is normal and she will be safe with him. At the same time, it also gives her a false
sense of self-esteem when she imagines the lyrics, about being beautiful, are being sung to her directly.
On the opposite end of the scale, when Mia is feeling guilty about her actions, she listens to Skinny Little Bitch, glorifying that fact that she is acting like one herself. Of course, she’s still romanticising about being skinny. It’s easier for her to be a ‘skinny bitch’ than an overweight one.
The Metal Head: Never Never Land by I Killed the Prom Queen; Creeping Death by Metallica
On the surface, Mick Shâd (Sonia’s son) is an absolute thug. He’s foul mouthed, exhibits violent and crude behaviour, and shows no respect to anyone whatsoever. Yet, deep down, he is a gentle sweetheart with a poetic soul, which readers witness through his scenes with Mia.
All his life he has been exposed to the illegal activities of his parents. The biggest thing that haunts him to this day is the blood stain on the back porch, along with the memory of Sonia tucking him in one night without having properly washed the streaks of blood off her skin.
Mick listens to hardcore music to escape his hardcore reality. It’s a way for him to shut the world out when he needs to be alone. Readers also get the hint that he prays to Allah on his seccade (a Muslim Prayer mat in Turkish), when he’s alone in his room too. He clearly has a conscience.
The songs I’ve mentioned above are not actually cited in the novel. Only the bands. This is because Mick isn’t the type of guy to describe what he’s listening to. He just turns his stereo on full blast — full stop. We also experience the loud music coming from his bedroom through Sonia’s perspective, in which she recognises the bands, but can only make out the sound of roar roar roar.
Despite readers never knowing what songs Mick listens to, these are the songs I had in mind when writing the scenes these bands are mentioned in. If you look up the lyrics to these songs, you will glean a lot of meaning from them and how they relate to the story. Though I would have loved to explain all these details in the book, they just didn’t fit. So I had to resolve myself to the fact that they would remain hidden (a true Undercover Soundtrack!”)
If you ever decide to use music for writing inspiration, have a think about how you can create symbolic branches to your music of choice in your story. Not only does it provide a fabulously diverse platter of character food, but it’s also nutrition for your plot. I don’t think I have ever written a book which didn’t incorporate music in one form or another. And now I don’t think I could ever write without it.
Is your story lacking the nutrients it needs? Perhaps some music will help!
Jessica Bell, a thirty-something Australian-native contemporary fiction author, poet and singer/songwriter/guitarist, is the Publishing Editor of Vine Leaves Literary Journal and the director of the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca. She makes a living as a writer/editor for English Language Teaching Publishers worldwide, such as Pearson Education, HarperCollins, MacMillan Education, Education First and Cengage Learning. Connect with Jessica online at her website, retreat & workshop, blog, the Vine Leaves Literary Journal, Facebook and Twitter
GIVEAWAY To celebrate the release of White Lady, Jessica is giving away an e-copy (mobi, ePub, or PDF) to a random commenter of this post.
#1 by Jude Rawlins on October 29, 2014 - 10:49 pm
An eclectic selection indeed. The piece above serves as a fascinating insight as to the inner trajectory of inspiration, from ear to pen. I think I’m going to read this book. I know I am.
#2 by Roz Morris @Roz_Morris on October 29, 2014 - 11:01 pm
Spluttering with delight to see you here, Jude. Honoured, in fact. And I love that phrase, ‘the trajectory from ear to pen’. Thanks indeed for stopping by.
#3 by Author Jessica Bell on October 30, 2014 - 11:19 am
Jude, wow! Thanks so much for stopping by. Think I’m having slight heart palpitations now. 🙂 I do hope you enjoy the book!
#4 by carolcooper on October 30, 2014 - 11:58 am
Having read White Lady, the post means so much more to me, and I can see exactly why Jessica Bell had that music in mind. A great read (both the post and the book).
#5 by Author Jessica Bell on October 31, 2014 - 7:43 am
#6 by Jude Rawlins on October 30, 2014 - 4:17 pm
I’m fascinated by artists’ creative journeys, but especially when they mirror my own. It’s suddenly not such a lonely place, and it’s very valuable to be reminded that in order to appreciate the silence of the heart one has to emerge from it once in a while. Speaking of hearts, don’t have palpitations on my account! I’m the one who should thank you both. This page is now bookmarked. I’ll be having coffee and perusing your YouTube channel ASAP. Will the book be available in England?
#7 by Roz Morris @Roz_Morris on October 30, 2014 - 10:17 pm
Jude, it’s available already – http://www.amazon.co.uk/gp/product/B00MRKYH28?creativeASIN=B00MRKYH28&linkCode=w00&linkId=BFEISNCBZGSYYJ2B&ref_=as_sl_pc_qf_sp_asin_til&tag=rozmoraut-21 . And if you zip to the footer of this blog you’ll find all the artistes who my guests have cited as important to their writing.
#8 by Author Jessica Bell on October 31, 2014 - 7:45 am
You’re fabulous. Yes, it’s available worldwide. Your local book store should also be able to order it if you ask. Thanks so much for your support. It means the world. Especially nowadays as it’s so hard to gain traction as an artist (of any kind). Cheers!
#9 by Jude Rawlins on October 31, 2014 - 8:00 am
Roz, this blog is great, I forsee suffering from an overload, but that’s a problem that I relish!
Jessica, I’ve ordered two of your books from Amazon (paperbacks… I’m still a bit steam-powered when it comes to real reading). I’m also going to have to avail myself of your music, love what I’ve heard so far. In fact I felt the slight twang of shock that I feel when I hear something important for the first time. I know the real thing when I hear it.
#10 by Author Jessica Bell on October 31, 2014 - 8:05 am
Oh wow, thank you! You can hear everything for free on Soundcloud if you haven’t ventured there already. I’ve been experimenting with some electronic stuff recently, but if you scroll down you’ll find some “real” music. If you want to hear what I sound like without all the jazz of a musical backdrop (just my voice and guitar) have a listen to the EP “The Girl Who Fell.” https://soundcloud.com/msbessiebell 🙂
#11 by Roz Morris @Roz_Morris on October 31, 2014 - 9:54 am
Thanks, Jude! I love it too. It’s like hosting my own creative salon every week. It all started here – and beware, this post will introduce you to yet another cathedral of wondrous sounds https://mymemoriesofafuturelife.com/2011/10/17/scoring-the-novel-as-it-unfolds-the-undercover-soundtrack/
#12 by drstephenw on October 31, 2014 - 9:49 am
Jessica, this is not just a lesson in how to use music to develop character, but also how to make characters multi-dimensional by giving them an unexpected quality that contrasts their outward nature.
#13 by Author Jessica Bell on November 25, 2014 - 7:25 pm
Yes, that is so true. Thanks for reading!