This week’s guest discovered by accident how music could be such a useful a creative partner. She found that whenever she got stuck on a scene or a character, the most distracting thing would be the silence around her. She began playing music purely so she wouldn’t hear it – and magical things started to happen. The novel she’s talking about in her post is a romantic suspense with a whiff of murder, and her first book was a finalist in the Poolbeg Write A Bestseller competition. She also writes short stories for the UK women’s magazines Take a Break and My Weekly. She is Louise Marley and she’ll be here on Wednesday with her Undercover Soundtrack.
Tag: creative partner
‘The impossible bridge between words and music’ – Philippa Rees
My guest this week has frequently noticed how many Undercover Soundtrack authors describe music as a benign, supportive influence; a creative partner, if you will. She says for her it has been more of a gauntlet; a challenge to reach further with her prose, to infuse every syllable with power and nuance. She has two works. The first is a novel, which she describes as a warm-up for the second – a poetic narrative of western culture and science. Well, we love the unusual and unclassifiable here, so she’ll be right at home. She has also been a frequent and incisive commenter on my blogs, so it is all the more pleasure to host her. She is Philippa Rees and she’ll be sharing her Undercover Soundtrack on Wednesday.