‘The driving energy of violent battle scenes and tragic misadventures’
Once a week I host a writer who uses music as part of their creative process – perhaps to open a secret channel to understand a character, populate a mysterious place, or explore the depths in a pivotal moment. This week my guest is award-winning fantasy author (and classically trained pianist) Melissa McPhail@MelissaGMcPhail
Soundtrack by Riverdance
Music and writing have ever been mated in my soul. As a child, I began writing fiction in the same year I took my first piano lesson, and as an adolescent, I reached to express the inexpressible with my first musical composition only weeks before the computer started calling my name at odd hours of the night. One creative effort cannot be wakened without drawing upon the other. They are soulmates, and I am mated to them equally.
In me, they support each other as soulmates should. When the creative juices of one endeavor begin to run dry, turning to the other will rejuvenate that lacklustre flesh. Oddly enough, time spent trilling fingers across a keyboard that produces music is not so different from the cathartic rhythms of one that forms letters on a screen. They both seem to reach into the same place in my soul and draw forth that spark of inspiration that results in bountiful self-expression.
Frank Zappa said: ‘Music, in performance, is a type of sculpture. The air in the performance is sculpted into something.’ I believe this is true not merely of performance but of music overall — when music plays, something is created. We cannot see it in the air, yet music forms images in our minds, emotions in our hearts. It invokes memories and stirs the creative spirit into action. That sculpture is pushed forth, formless until it is collected by the imagination of the listener and channeled into something new.
Because I spent an eternity writing my epic fantasy, Cephrael’s Hand (in my mind, over a million words spent in pursuit of a single novel qualifies as an eternity), a number of songs have sculpted the series, but one album did more to fuel this effort than any other – Bill Whelan’s Riverdance.
Battles, mystery, enchantment
This album seemed to contain all of the driving, pulsing energy of violent battle scenes and tragic misadventures mixed among the mystery of enchanted forests and the thrumming chill of icy, windswept passes. It speaks a story of uncertain heroes, of unrequited love, of tears shed for ages lost and of the wistful echo of loved ones vanished or vanquished. Cephrael’s Hand travels to all of these lands and spaces of the heart. It’s a tale of two brothers who find themselves on opposite sides of a great battle, neither knowing the other is alive. It’s the story of a traitor who works in exile to save the race he’s sworn to protect, and of a blessed race facing extinction – along with the realm itself. It’s the story of nations battling for the ideals they believe in, and of individuals striving to find an ideal to shape themselves around.
From song to scene
More than once, a particular song inspired a scene. Marta’s Dance/The Russian Dervish played heavily into the twisting, spinning fighting style of my Whisper Lords, with their daggered gloves and slashed cloaks, and Cloudsong/Riverdance, especially the instrumental section with its melody both wistful and joyous, somehow encapsulates the feeling of the relationship between the Healer Alyneri and her childhood love, Prince Ean.
The Countess Cathleen still brings to mind a particular dance I envisioned between two characters. Sadly, their paths never crossed in the final version of the story, but the lovely motions they made still dazzle in the realm of my imagination any time I hear the song. Who knows? Someday, in some future book, they may actually join in this dance together.
That is the beauty of music. Its ephemeral sculptures make an indelible imprint on our consciousness. Even if this imprint is never fashioned into something corporeal, still, it remains in the vast repository of inspiration, just waiting for its time to shine.
Melissa McPhail is the author of the award-winning epic fantasy Cephrael’s Hand and The Dagger of Adendigaeth , the newly released second book in her series published by Outskirts Press, A Pattern of Shadow and Light. In addition to her writing, Melissa is a classically trained pianist, violinist and composer, a vinyasa yoga instructor, and an avid fantasy reader. A long-time student of philosophy, she is passionate about the fantasy genre because of its inherent philosophical explorations, and she seeks with her novels to explore the facets of good and evil, nobility, honor, courage and self-sacrifice in all their many shades. Find her on her website and on Twitter as @melissagmcphail