Posts Tagged Deep Forest
The Undercover Soundtrack – TJ Cooke
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on September 18, 2013
Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week’s post is by crime novelist TJ Cooke @Timscribe
Soundtrack by The Who, Talking Heads, Captain Beefheart, Jon and Vangelis, Joni Mitchell, Deep Forest, Marta Sebestyen, Squeeze, Louis Armstrong, John Lennon
There is rarely a day when I don’t listen to music. Occasionally I listen whilst actually writing, but rarely, as I find it too distracting. However I will often be listening to something just before a stint at the PC or laptop.
Sometimes I choose a piece which tends to inspire creativity, to help develop a specific character, scene or location. On other occasions it works in reverse. I will actually be working on something and it will remind me of a specific piece of music. Either way music has always helped the creative juices flow.
Here are some examples from my novels Defending Elton and Kiss and Tell.
Lead character Jim Harwood, who narrates, has a passionate but all too brief liaison with the seductive Sarena. Her sudden disappearance from his life is something he finds hard to come to terms with. This powerful song evokes both loss and desire. Not only does it resonate with his feelings, but also with a key location in the story, Beachy Head cliffs. It is synonymous with the film Quadrophenia, being from the album of the same name, but conjures up far more. I remember driving along the clifftop coast road with Love Reign O’er Me by The Who playing loudly… thinking about Sarena’s demise, and how Jim had lost his fleeting but passionate love.
I couldn’t write this without devoting a song to Elton. In a way he’s the star of the show and was based on a character I knew way back when. Elton doesn’t fit neatly into any box. He has serious mental health issues which manifest themselves into bizarre ‘episodes’. Sometime he will appear quite ‘normal, only to morph seconds later into a caricature who spouts random words, song lyrics and general ‘nonsense’. Lack of proper funding for the mentally ill means there are way too many Eltons trapped in the criminal justice system. Talking Heads often tackled challenging issues. I often listened to Once in a Lifetime before writing some of Elton’s more obscure dialogue.
I’m pretty sure that unorthodox lawyer Jim Harwood would be a Captain Beefheart fan, probably on the quiet. It fits in with his flippant and sometimes chaotic character, which grates against the rigid structures of the law. Jim’s own demons mean that he invariably seeks a place to escape from it all, his Clear Spot.
Jon Anderson’s unique voice, probably the antithesis of other ‘rock’ leads, has an earthy connectivity. There’s a section in the book where Jim is driving back from the south coast having just done something quite despicable. Traumatised by events, he starts to hallucinate as visions of Sarena’s dead body etch themselves onto his car windscreen. I’ll Find My Way Home would be playing on his CD, as his path to redemption kicks in.
What a voice Joni Mitchell has, and in The Pirate of Penzance she uses it skilfully to create a truly atmospheric piece of music. I recall listening to this song before penning some of the darker narrative in Defending Elton. It isn’t indicative of a specific moment, more of general mood. I always find it haunting.
Kiss and Tell
Marta’s Song by Deep Forest and sung by Hungarian singer Marta Sebestyen helped me to picture the character of Bella in Kiss and Tell. She is a Hungarian national who lost both parents in a car crash before coming to Britain with her brother. Her brother then abused her by forcing her to work for his drug smuggling ring. This piece of music is evocative of a lost soul.
Many of my characters’ songs follow a particular journey in life. When I was trying to imagine what the character of Jimmy was like when younger,Squeeze’s Cool for Cats sprang to mind. Like many of their songs it has sharp urban lyrics. Jimmy was hiding his criminal exploits from Jill. His ‘Jack the lad’ image was just a front, but it had devastating consequences.
Louis Armstrong has a beautiful and distinctive voice. When we pick up Jill Shadow’s story 12 years on, with her ex Jimmy now released from prison, she is unsure how to deal with feelings reawakened. I listened to We Have All The Time In The World, which helped me to empathise with Jill. It conjures up the immense hope that is offered by young love. When we’re young we have little understanding of the realities of time or growing old, or of the frailty of our ‘first love’.
There are various themes of ‘truth’ throughout both Kiss and Tell and Defending Elton. It’s a theme I struggled with myself when younger. I had been denied truth by my adoptive parents, and could never understand why my adoption was treated as taboo. Some years later I worked in the criminal justice system, where I discovered that truth was often a football kicked about by both sides in an adversarial game. I became wary of accepting ‘truth’ at face value, and it’s no surprise that it features as a theme in my writing… Cue John Lennon and Gimme Some Truth.
TJ Cooke, otherwise known as Tim, was formerly a lawyer before becoming a legal adviser to television dramas in the UK . He went on to write many hours of broadcast drama himself, notching up writing credits for some of UK’s most popular series. He is the author of two crime fiction novels Kiss and Tell and Defending Elton, and has an inventive take on the genre. Tim currently lives in Devon, UK. For further details, and to follow his blog, visit his website or follow on Twitter as @timscribe.
The Undercover Soundtrack – Mary Vensel White
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on January 31, 2012
‘These songs infused my writing with the feelings of freedom Vivian experienced on that vivid night’
The Undercover Soundtrack is a weekly series by writers who use music as part of their creative process – special pieces that have revealed a character to them, or populated a mysterious place, or enlarged a pivotal moment. This week’s post is by contemporary novelist Mary Vensel White @mvw888
Soundtrack by Deep Forest with Enigma, Steve Miller Band, Lynyrd Skynyrd, Indigo Girls
At the time I began work on The Qualities of Wood, I had just moved to Chicago. I was entranced and completely inspired by the big city— the smells, the sights, the sounds. On a warm day, everyone flocked to the public parks, those small parcels of grass and trees amidst the steel buildings and concrete. I began to wonder why we’re drawn to natural settings, and my character Vivian’s journey from city to country began with this thought. The sounds around us can be a type of music, an enveloping aspect of our setting. Whenever I begin to write something, the atmosphere is always important and music plays a big part. The background music of the city: the rush of wind, cars braking and starting again, a lone saxophone, water rippling, voices everywhere, rising and falling.
An ancient music of sounds and silence
In the novel, Vivian and her husband Nowell have decided to take a break from city life. They move to his late grandmother’s house in the country to prepare it for sale. The natural environment, the different types of sounds, the music of nature—all becomes a very sensory experience for Vivian. The skies stretch, limitless, and the land flows to the horizon in soft rises. She’s never been able to see that far; her head begins to clear. Childhood rushes back. She can see herself, hear the live things around her. It is a soothing combination of sounds and silence, its own music (Deep Forest – Sweet Lullaby )
In the evenings, Vivian’s energy level peaked again and her sense of hearing sharpened. She heard crickets under the house and outside, the green, thick-veined leaves flapping, one against the other in the breeze. When a small branch snapped and fell, the other branches gently guided its descent.
These rhythms, the almost ancient sound of this music, always made me think about the vastness of nature, and I’d return to this piece whenever I needed to remind myself of Vivian’s impressions of her new surroundings.
In the small town, there has been a death and as Vivian becomes enmeshed in the mystery of what has happened, secrets begin to emerge. Town gossip flourishes; cracks appear in her marriage. Above all, she searches within herself for answers. Late in the novel, Vivian attends a festival. I grew up in a smallish town and every year, we had a ‘Fair and Alfalfa Festival’. These events are very much a part of Americana; anyone who has attended a county fair knows what to expect. Lots of food on sticks, a beer garden with a long line, local rock or country bands. And it seems like the music played is usually a generation behind and always includes certain songs everyone, young and old, knows the lyrics to.
The band played an old favorite, a song about a woman leaving a man. Swaying to the music, Vivian and Lonnie sung the lyrics in wavering, unpolished voices. Colored streaks came out in the evening sky, like water that had soaked through paper.
Vivian has a freeing moment, a loosening of inhibitions cued by the familiar music. I imagine the band in that small American town played songs like these – Rock n’Me by The Steve Miller Band, Sweet Home Alabama by Lynyrd Skynyrd.
These easy-going tunes with their emphasis on good times and living in the moment are songs that make you want to forget daily responsibilities and remember your youth. Listening to these songs infused my writing with the feelings of freedom Vivian experienced on that vivid night.
The novel, I hope, has an empowering message, as Vivian learns about herself and begins to appreciate her own strength and gifts. I’d like to think the story ends with a folk music feel, with strong female voices and an uplifting melody. The characters leave the stage to a strident guitar and assured singing, rather like Indigo Girls’ Closer to Fine.
Mary Vensel White was born in Los Angeles and raised in Lancaster, California. She graduated from the University of Denver and completed an MA in English at DePaul University in Chicago. She lives in southern California with her husband and four children. The Qualities of Wood is her first novel and was released on January 31, 2012 by HarperCollins. Find her blog and contact her in a variety of ways through her website and Twitter @mvw888.