Posts Tagged Green Day
The Undercover Soundtrack is a series where I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week my guest is debut novelist Leslie Welch @Leslie_Welch
Soundtrack by Dave Bielanko, Christine Smith, Chris Rattie, Gus Smith, Snow Patrol, Coldplay, The Temper Trap, Green Day, Red Hot Chili Peppers, Kanye West, Imagine Dragons
‘We’re recording these old songs at a church in Millheim. You should stop by.’
Intrigued by the invitation, my husband and I made the 22-mile drive from our hotel in State College to the post-industrial town. Back then, Millheim was growing into the unlikely heart of a serious music scene in Central Pennsylvania. That visit would eventually work its way into a novel I didn’t know I was going to write.
Dave Bielanko and Christine Smith (of Marah fame) had enlisted our friend Chris Rattie to play drums on Mountain Minstrelsy—a collection of old mountain songs they had resurrected with new music. Given the people involved, I expected the session to be different, but we walked into an all-out revolt against modern recording. Recording based on intuition instead of algorithms. My internal monologue alternated between, ‘This is so freaking cool’ and ‘How can this possibly work?’
A tangle of cords, amps, and a giant mixing board crowded the back of the sanctuary where greeters used to welcome people to worship. Mics were set up wherever there was good, natural reverb. Not a computer in sight.
Two towheaded boys chased each other through the pews in loops around us as we checked out the set-up.
‘Who are the kids?’ I asked.
‘The taller one is our fiddle player,’ Chris said. ‘Hey, Gus! Come over and play something.’
Eight-year-old Gus scooped up his fiddle and ripped out a quick melody that sucked me into a serious religious moment. The kind of experience that makes you doubt you could ever be good at anything in your life. That’s what happens when you experience a prodigy in person. Here’s Gus Smith.
Gus, undoubtedly used to these impromptu performances, gave us a look that asked if that was enough of a demo. Before our claps faded into the narthex, he was back to the business of chasing his brother around the church.
While the idea for my novel The Goodbyes wouldn’t come for a few months, I collected plenty of inspiration at that session. Fast forward to November of 2014.
Searching for a Soundtrack
With an idea begging for a blank document and a NaNoWriMo deadline, I sat down to write. Since the story was about Webb Turner, a rock star who races through a blizzard to possibly say a final ‘goodbye’ to the girl who inspired his songs, I packed my writing playlist with songs I thought Webb might write. Snow Patrol, Coldplay, and The Temper Trap dominated the two-hour loop. But when I pressed ‘play’, I found myself skipping each track after a few seconds.
I switched over to my music library, hoping the universe would step in. Song after song, nothing kept me writing for more than a sentence until I skipped my way to the one thing I would have never chosen—Tibetan Monks chanting. Yes, really. I didn’t care what it was, it shifted me into the zone. I tapped out a chapter or two on the train ride home.
When I wasn’t writing, I listened to popular music from the 90s and early 2000s. Green Day, Red Hot Chili Peppers, even Kanye West and Nickelback transported me back to the spirit of that time. These songs play in the background of a lot of scenes in the book. They’re important to the characters, too.
I finished the first draft in a month. Once I had let it rest for a few weeks, I started the slow and painful process of editing. It wasn’t long before I realised that I needed more than ‘Oms’ to paint the flesh onto the bones of the story. My filmmaker husband suggested listening to movie soundtracks for some momentum. I quickly discovered that these epic melodies, swelling and crashing without apology, are gold for writers who want to add drama to key scenes. The Great Expectations soundtrack hit an especially sweet spot for me.
When it comes to creating a writing playlist, what works for one book might not work for the next. My current manuscript likes The Lightning Strike by Snow Patrol and Radioactive by Imagine Dragons. It’s a nice change, but in the end, the most important thing is finding anything that inspires me to keep moving until I can punch out the two best words in a writer’s journey: The End.
Born in Toledo, Ohio, and raised in the North Hills of Pittsburgh, Leslie Welch spent most of her youth concocting elaborate stories. Her high school English teacher encouraged her to turn these creative lies into creative fiction. Today, Leslie writes at least 1000 words a day on DC Metro orange line trains. She co-wrote her first book in Harrisburg hotel rooms and diners with her best friend, and in 2016 she released her first solo novel, The Goodbyes, published by Blue Moon. When she’s not off exploring the world, Leslie lives in a house full of laughter outside of Washington, DC, with her soulmate, two cats, two dogs, two fish, and a teenager. Find her website here and tweet her as @Leslie_Welch
Once a week I host a writer who uses music as part of their creative process – perhaps to tap into a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s post is by mystery romance author MJ Rose @MJRose
It’s not very often that an author has an in-house composer. But I’m very lucky. My husband, Doug Scofield, is a singer/songwriter. The song he wrote for The Book of Lost Fragrances became my way into the book, it became my anthem.
While I was studying the past and present perfume industry, Doug became almost as interested in fragrance as I did. He traveled to Grasse and Paris with me, meeting with manufactures and perfumers. He visited department store counters and willingly sniffed endless tester strips. Without complaining, he traipsed through flea markets with me as I searched for the vintage, lost fragrances I’d become obsessed with.
When I was time for me to start to write, I was overwhelmed by all the information I’d amassed. And in my frustration, I couldn’t find a way into the book. I’d walk into my office, sit down at the computer and try to disappear into the story. But writing in another time isn’t always simple. Especially not with the phone and the internet and the world going on around you.
No matter how hard I tried, I couldn’t quite find the right voice for this book. I had kept writing first chapters and throwing them all out.
And then one day, Doug gave me a CD. There was only one song on it – Together.
The music is ethereal, the word are prophetic. The spirit of the song captures the magic of time and connections between people that I was trying to capture in my novel.
I played the song over and over that first day and almost without knowing it, finally started to see the character who would introduce my story, the 19th century French perfumer whose love story is at the heart of the novel.
Once I had my mantra, I began to assemble a play list of different pieces. Writing in and out of so many time periods and tracking quite a few stories, it was helpful beyond measure to switch the music when I switched times. La Vie en Rose (Edith Piaf’s version on Hallmark ) to center me in Paris at night walking by the Seine, to another of Doug’s songs, Hunt you Down when I was dealing with the Chinese mafia stalking my main character though the catacombs.
When we meet Marie-Genevieve Moreau first in Paris at the dawn of the 19th century, she is attending mass with her parents. From that innocent morning we follow her into the French Revolution where she travels through a Hieronymus Bosch kind of twisted, turned-inside-out hell. To find Marie-Genevieve and stay with her I played Gregorian chants. (My two top albums are Benedictine Monks of Santo Domingo de Silos and Slave Regina by the Benedictine Monks of the Abbey of St. Maurice and St. Maur. )
Music in a strange land
For another character, Xie Ping, a sensitive, secretive Chinese calligrapher with a curious past, I played popular rock music from the Rolling Stones (Let it Bleed and Beggars Banquet) to Greenday (International Superhits). Xie is on a journey during the novel – out of China to London and Paris. The music he hears is one of the few things he can relate to in these strange lands. In China, the music tantalised him and made him dream. Now that he is outside his homeland, that same American and British rock gives him courage.
The Book of Lost Fragrances was a journey for me too… one that had music in the background every step of the way.
MJ Rose is the international bestselling author of 11 novel: Lip Service, In Fidelity, Flesh Tones, Sheet Music, Lying in Bed, The Halo Effect, The Delilah Complex, The Venus Fix,The Reincarnationist, The Memorist, The Hypnotist and The Book of Lost Fragrances. She is also the co-author with Angela Adair Hoy of How to Publish and Promote Online, and with Doug Clegg of Buzz Your Book. She is a founding member and board member of International Thriller Writers and the founder of the first marketing company for authors: AuthorBuzz.com. She runs two popular blogs; Buzz, Balls & Hype and Backstory. She lives in Connecticut.