Posts Tagged historical novels
‘Rubble-strewn streets and lost souls’ – SD Mayes
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on October 7, 2018
Hello! It’s been a while since I’ve had an Undercover Soundtrack guest, but that doesn’t mean it’s muted forever. I’ve been writing, and the soundtrack collection for my own book is almost as tall as its namesake (Everest). Meanwhile, I’ve bumped into a few people who would be perfect guests and this week you’ll meet the first of them – SD Mayes. Her novel is called Letters To The Pianist, which you’ll probably agree makes her the perfect first act for the second act of this series. Letters To The Pianist is set in the London of World War II and draws heavily on the author’s own family history. Music was a route map for the key emotions of the characters – from fantasy escape, feelings of teenage inadequacy and the feelings of wild abandon that come from communion with an instrument. Drop by on Wednesday to hear more.
The Undercover Soundtrack – Nicole Evelina
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on February 14, 2017
The Undercover Soundtrack is a series where I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week my guest is award-winning historical fiction and contemporary romantic novelist Nicole Evelina @nicoleevelina
Soundtrack by Sting, Fever Ray, The Civil Wars, Black Veil Brides
Every one of my books has a theme song/album – music without which the book never would have been written.
Capturing the essence of a legend
The theme song to the Guinevere’s Tale trilogy is “ Thousand Years by Sting. This song came out just weeks after I began writing Daughter of Destiny, the first book in the series. There is something about the cyclical sound of the melody that calls to mind reincarnation, the thousands of versions and re-tellings Arthurian legend has gone through over the ages. It also evokes to me the changing nature of the characters as artists reinvent them to fit their time. In the prologue to the book, Guinevere explains that not a single version you’ve heard has been right; she is going to set the record straight in the trilogy by telling the true story of her life. In so doing she can reclaim her name and her dignity from years of slander and abuse.
Plunging into the mind of a killer
The sequel, Camelot’s Queen, has one of the longest playlists of any of my books, most songs aligning with or inspiriting certain scenes. But the most influential album was the soundtrack to the movie Red Riding Hood, specifically the songs by Fever Ray, The Wolf and Keep the Streets Empty for Me. I listened to that soundtrack over and over while I wrote the section of the book dealing with Guinevere’s kidnapping by Malegant – one of the most detailed and longest parts of the book, and also my favorite. There is something feral about this music – wild, dangerous and dark – that fit perfectly with evil in Malegant’s soul. For Guinevere, the experience was the ultimate nightmare, not just for any woman, but especially for a priestess and queen. By his vile actions, Malegant stripped her of her power and her dignity, and unknowingly changed the course of her life – and that of all of Camelot. Scenes of such dark subject matter and import need equally powerful music. It doesn’t hurt that these songs could well have been used for a Samhain ritual, the event during which Guinevere’s torment begins.
Longing for an unknown love
My contemporary romantic comedy, Been Searching for You, actually came about because of a song. In November 2012, my best friend introduced me to the song To Whom it May Concern by The Civil Wars. Knowing I’m a die-hard romantic still looking for my soul mate, she thought I’d be able to relate to the lyrics about missing and waiting for someone you’ve never met, but you are certain is out there. Oh boy, did I. That song is actually why Annabeth writes letters to her soul mate on her birthday each year in the book.
As I got to know more of The Civil Wars’ music, I fell in love with a second song, Dust to Dust. It feels to me very much like a bookend to To Whom it May Concern. To me, it’s the song for when the two lovers who hadn’t met yet in To Whom It May Concern have gotten together, overcome their struggles and realised they finally found one another. So I challenged myself to write a story that began with the words ‘To whom it may concern’ and ended with the words ‘dust to dust’. That book is Been Searching for You.
Remembering a forgotten historical heroine
Not many people would put a metal song and a feministic manifesto at the top of their influences for writing biographical historical fiction about the first woman to run for President in the United States in 1872 – but I think we’ve already established I’m not normal. In the End by Black Veil Brides is my song explaining the urgency I felt to write Madame Presidentess, the story of Victoria Woodhull, a nearly forgotten, but crucial, figure of the American suffrage movement. There’s a line that asks who will tell the story of a person’s life. I was that person for Victoria. I also loved the theme of not being afraid to die and leaving something behind for future generations, both of which Victoria would very much be in agreement with. As a spiritualist, for her death and life were one, and I have a feeling she’s still not done doing her work here on earth – or at least not until her name is in the history books where it belongs.
Victoria’s theme song is Woman (Oh Mama) by Joy Williams (formerly of The Civil Wars). It chronicles woman’s roles throughout history – caregiver, life bringer, helpmeet and victim – how she has been seen by men – from Madonna to whore and back again – and the identities she has reclaimed to be her own – goddess and fabric of the universe. Victoria was a very strong woman, who by her own admission was years beyond her time, so I know she would proudly sing this song and declare herself strong and free.
Nicole Evelina is a multi-award winning historical fiction and contemporary romantic comedy author from St. Louis, Missouri. Her debut novel, Daughter of Destiny, was named Book of the Year by Chanticleer reviews. She’s now at work on her first non-fiction book, tracing the evolution of Guinevere over the last 1,000 years of literature, and is also finishing the final book in her Guinevere’s Tale trilogy, Mistress of Legend, which will be published later this year. Learn more about her at nicoleevelina.com or follow her on Twitter, Facebook, Instagram or Pinterest.
‘Music for writing the 12th century’ – Mark Richard Beaulieu
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on August 3, 2015
My guest this week has an epic sequence of novels, and an epic musical background for them. They span the life of Eleanor of Aquitaine – but if you were expecting a purely medieval soundtrack, think again. There are, of course, some historically appropriate pieces, but also a host of unusual tracks from Chris Isaak, Jon Hassell, Ennio Morricone and Peter Gabriel. This post is a musical epic all of its own, and listening to the choices brought me many new gems. One of them, CocoRosie’s Smokey Taboo, I liked so much that I found an excuse to shoehorn it into my radio show (here, in case you’re interested, though that episode is currently in production). Anyway, the author is Mark Richard Beaulieu, and he’ll be here on Wednesday with his Undercover Soundtrack. Bring a packed lunch.
‘Unending feelings of loss and loneliness’ – Chrissie Parker
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on April 7, 2015
My guest this week has a historical novel with two timelines, each of them full of loss and turmoil. Music by Portishead, Jem and The Moxy defined the characters and their dilemmas, hurling her into their lives and channeling their emotions as she wrote. Modern Greek music by Elena Paprizou and Glykeria inspired the setting – the island of Zakynthos. She also writes short stories and poems and performed at the 100 poems by 100 women event at the Bath International Literary Festival 2013. She is Chrissie Parker and she’ll be here on Wednesday with her Undercover Soundtrack.