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Once a week I host a writer who uses music as part of their creative process – perhaps to open a secret channel to understand a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s guest is award-winning bestselling author, indie champion and women’s advocate Melissa Foster @Melissa_Foster
Thank you, Roz, for sharing your virtual space with me today. I love what you are doing with this series, and I have a feeling that many of your followers will find my musical selections odd, lame, or just plain telling-of-my-age. Here goes…
I’m a music fanatic, but not in the normal sense of the term. I cannot write in silence. I need the beat of a good tune to be able to feel my stories, and the particular beat doesn’t matter. It’s not uncommon to find me with F.M. Hot 99.5 playing so loud that I cannot hear anyone speaking to me. It’s also not uncommon to find me listening to an iTunes mash-up of Michael Jackson, Kelly Clarkson, Darius Rucker, Glee (yes, I am almost 46 years old, and this is my guilty pleasure). Even Madonna and Katy Perry make an appearance. The difference between me and most music fanatics is that I rarely know who is singing the songs I listen to, and often, I can’t tell you the title.
When I was writing Chasing Amanda, my typical mash-up wasn’t quite working. I found my inspiration on my iPod, which my stepdaughter had filled with songs when she was about 15 years old, ranging from head-banging heavy metal to rap and top 40 hits. I gravitated toward three songs that pulled me through the manuscript — I was a runner at the time, and these songs were played over and over during my runs as I worked through the storyline of each character: How to Save A Life by The Fray, I Write Sins Not Tragedies, by Panic! At The Disco, and Buttons, by the Pussycat Dolls.
Each song helped me to see Molly Tanner, the main character, a little more clearly. She’s a bundle of strength and emotions wrapped up in sensitive skin. The lyrics embodied all of her. Buttons helped bring out the fun side of Molly, which is so easily lost in stressful situations. Buttons inspired the sexier side of Molly, it was a gentle reminder that she was feminine, though strong, helping me grasp her vulnerability when she was searching for the abductor, alone at night. Sins helped me to remember that she was on a very powerful hunt, where she could lose everything, and Life, well, it’s pretty clear. Molly valued her life, but because she had unknowingly witnessed an abduction, and then the little girl’s body was found, when Tracey went missing, she was willing to forgo her own life to save another.
I drew from the song How To Save A Life on many levels. That particular song carried over to many of the characters. It exposed the search for Tracey as something much deeper than simply a simple search mission. The song is made of passion and longing, which brought life to Hannah Slate’s forgotten past. Hannah Slate, Pastor Lett, and Newton Carr each had deep-rooted secrets that could have crushed them as individuals, but they drew strength from one another, just as the song talks about staying up all night, each of them had been there at all hours for each others. The love that blossomed from their friendship carried them forward through lives of deceit. I didn’t watch the video when I wrote the book, and I’m glad that I didn’t. I found different meaning in the words each time I listened.
A softer side
Molly’s husband, Cole, was a doctor, and a very serious one, who believed in tangible facts rather than Molly’s clairvoyance. Buttons helped me to find his softer, sexier side, and think of him as a man rather than just a husband and physician, and by doing so, allowed another layer of the story to form.
Music enhances my senses and tempts me to reach beyond characters’ looks and the way they move. Music draws me in to think about their emotional state in each scene, and as you can see from my musical choices, there is no rhyme or reason to the tunes that I choose. Music does so much more than just inspire me, it is woven into the fabric of my life, enabling me to see most things in life more clearly, and to remain in a place of light. If you visit me, you’ll find an intercom system that plays music in every room, all day long. Music, even when it has sad lyrics, makes me happy.
What does music do for you?
Award-winning, bestselling author Melissa Foster is a touchstone for the indie publishing community and a tireless advocate for women. Her novels are Megan’s Way, Chasing Amanda and Come Back to Me. She is the founder of the World Literary Café, Fostering Success, and The Women’s Nest. Melissa writes emotionally-driven contemporary fiction and suspense with passionate characters that remain with the reader long after they’ve read the last words. Melissa is a friend, mentor, brownie connoisseur, and book fiend. Connect with her on Facebook, Goodreads and Twitter @Melissa_Foster
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Once a week I host a writer who uses music as part of their creative process – perhaps to tap into a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s post is by YA author Laura Pauling @laurapauling
To quote Randy Jackson from American Idol: ‘The transference of emotion is what the audience wants.’
Readers more than anything want to feel what we’re feeling when we put our hearts into a story. Whether it’s heartbreak, humour, revenge, sorrow…etc. And sometimes listening to the right kind of music, a certain song that pushes my heart to its limit, can transfer over to my writing.
Stories at your fingertips
So when I was writing A Spy Like Me, I took into account that this was a fun, suspenseful story. I listened to Taylor Swift a lot. Her teenage voice and lyrics pumped into my ears while the story poured out through my fingertips. And it really helped lift my mood and emotions to where they needed to be.
A Spy Like Me is about change. Seventeen-year-old Savvy is uprooted from her home and moved to Paris, France. She lives with her dad and misses her mom. But sometimes change is what we need to find the answers. And that holds true for Savvy. Here’s Taylor’s song, Change. One of many I listened to.
The whole story, Savvy fights for knowledge. She’s tired of the lies and strikes out to find the truth…by – you guessed it – spying! But through the chaos and danger, sometimes, she wouldn’t mind going back to before it all began, when her mom lived at home and they were a family. Here’s Taylor’s song, Back to December.
Of course, living with a teenage daughter helps; and together, we’re putting together a great playlist for this spy trilogy. Kelly Clarkson: Stronger (What Doesn’t Kill you) and Break Away; Colbie Caillat: Brighter than the Sun, Natasha Bedingfield: Pocketful of Sunshine
That’s just the start. But I’ll stop there. Just watching these videos and listening to the tones and the themes give me goose bumps. Like they were written for Savvy and what she’s experiencing.
Not about the lyrics
Sometimes it’s not the lyrics of a song that match my story, but the emotion. And that’s what writing comes down to: how well the author captures the emotion behind the story. For example, Christina Perri’s Jar of Hearts: a hugely popular song. It was the sound and tone of this song. It moved me. It’s filled with this aching emotion that drives me to write. It still does when I hear it. I have yet to act on it. Someday…
Why did Adele win the Grammy? She was just singing a song about a guy breaking up with her and wishing him the best. There are countless songs like that from the past, in the present and in the future. But her big time emotion transferred to her audience. The incredible unique voice helps too. Listen to Adele sharing about Someone Like You and singing it in her home. Incredible.
Emotion on the page
In all my writing, whether a fun spy adventure in Paris or not, I strive for that emotion to come across on the page and to my readers. I will work toward that every time I sit down to write. And I’ll keep doing it.
It’s funny. I accepted Roz’s invitation to guest post on this series but waited days to write it. I knew what I wanted to say but I wasn’t sure how to approach it. It wasn’t until tonight, watching American Idol and hearing Randy say, ‘transference of emotion’ that it all came together. Why I listen to music when I write (not when I edit). Why I find songs that fit the tone and style of my writing. And why as a writer I learn so much about storytelling from listening to a heartfelt song.
Thanks for having me, Roz. It’s an honour.
Laura Pauling writes about spies, murder and mystery. Her debut novel, A Spy Like Me, is available at Amazon, Barnes & Noble, and Smashwords and her blog is here. Visit her blog before May 25 for a Spies, Murder and Mystery Marathon with guest posts and free giveaways.
A Spy Like Me, Adele, American Idol, authors, Christina Perri, Colbie Caillat, Desert Island Discs, Kelly Clarkson, Laura Pauling, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Natasha Bedingfield, playlist for writers, Roz Morris, Taylor Swift, The Undercover Soundtrack, undercover soundtrack, writers, writing to music
- 'Constant murmur of pouring rain, piano chords and a stormy sea'
- 'A spellbindingly good yarn'
- 'Simple, beautiful - gripping'
- 'So original it's in a class of its own'
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
- Carol is a concert pianist until an injury threatens her career. Desperate for a cure she discovers her future incarnation - or is he a psychological figment? And can he help her recover?
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- All content copyright Roz Morris 2011-2016. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
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What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'