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Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week’s post is by romance novelist and Novelicious founder Kirsty Greenwood @kirstybooks
Soundtrack by Jeff Buckley, Fairground Attraction, Phoenix, Carole King, John Grant, Grease 2, George Fenton, Color Me Badd, Bobby Helms, Skeeter Davis, Rosemary Clooney, Duke Ellington, Stacey Kent, Best Coast, Stevie Wonder, Hans Zimmer, Danny Elfman, George Gershwin, Rufus Wainwright, Ella Fitzgerald, Toni Braxton, Ani Difranco
I always intended to have a career in music. Encouraged by musically minded parents, my sisters and I spent much of our teenage time singing in harmony. We were cool that way. Known for our rendition of The Andrews Sisters’ Boogie Woogie Bugle Boy, we performed in local pubs, at karaoke, family birthday parties and such. We still get asked to perform Boogie Woogie, but it’s not quite so adorable now we’re in our 30s. At 22 I studied music at college, sang, learned to play the guitar and wrote whimsical/folksy pop songs. I won a ‘Song of the Year’ award and wrote and sang for a local bhangra/pop producer. Music was my everything. Shortly after getting my degree, I was hit with a period of bipolar depression that lasted for over a year. I stopped performing and lost all interest in pursuing music professionally. During my recovery I started to write romantic comedy – writing fiction is remarkably similar in process to writing songs (both crafted in terms of story, rhythm, theme, timbre, pace and texture) – and found it to be hugely enjoyable as well as restorative.
A creative place
I use music to quickly access a creative state, particularly if I’m procrastinating on a book or I’m having a day when I don’t feel like writing jokes. So before a writing session I’ll listen to songs that buoy my spirits, energise and inspire me. Jeff Buckley (Mojo Pin, Vancouver and So Real are all shortcuts to a mood lift), John Grant’s Queen of Denmark album, Carole King’s Tapestry, Eddi Reader, Phoenix, Stevie Wonder’s Songs in the Key of Life, Rufus Wainwright, Ella Fitzgerald, plenty of 80s power ballads and, er, the Grease 2 soundtrack which just straight up makes me laugh.
When deep into writing I love the easy companionship of music, but find anything lyrical too entertaining and end up singing along. I’ll listen to classical music and film instrumentals, particularly Hans Zimmer, Danny Elfman, George Gershwin and George Fenton, whose You’ve Got Mail soundtrack really helped me to get into a jaunty, ‘romcom’ mind-set for Yours Truly, as well as making me think about Nora Ephron and how I need to try harder.
Back to the 90s
My debut novel, Yours Truly, gave me a legitimate excuse to listen to lots of 90s pop. My leading man, Riley, has a thing for the supremely cheesy band Color Me Badd (they had one hit song, it was called I Wanna Sex You Up), and there’s a sex scene set to Toni Braxton’s extra randy You’re Making Me High. Music was used to bond the main characters, as it does so much in real life. Riley, an amateur musician, sings little off-the-cuff ditties to Natalie in order to woo her, and she is constantly amused by his willingness to expose his 90s pop ‘fanboying’.
I’m now writing my second book. It’s called The Vintage Guide to Love and Romance (published June 2014 with Pan Macmillan) and is the first in a series. One of the central characters, Matilda Beam, is a 77-year-old writer who can’t let go of her 1950s glory days. When my protagonist, Jess, meets Matilda, she’s sitting in a grand, cluttered room, listening to a Bobby Helms record on repeat. I find the melodies of most of his songs melancholy and the hefty reverb used on his voice makes it sound otherwordly and creepy. I wanted to provide a soundtrack for the scene that would give the audience an immediate insight into Matilda’s state of mind and also to freak out the thoroughly modern and lively Jess.
I have a dedicated Spotify playlist for The Vintage Guide to Love and Romance. These are the songs I’ve listened to in order to connect with characters and emotions, or to help me get to the ambience of a scene more clearly. The most often played tracks on there are:
End of the World (Skeeter Davis): Hauntingly beautiful, lonely and lost. A soundtrack for Matilda Beam in 2013.
Sophisticated Lady (Rosemary Clooney, Duke Ellington): Sultry and smoky, this song perfectly embodied the young Matilda Beam as a socialite and writer in the 50s. When I listen to this, I think of her being spun across the dance floor at some fabulous New York party.
Wishin’ and Hopin’ (Ani Difranco): I saw a tongue in cheek video for this song on the opening credits to My Best Friend’s Wedding and it mirrors the way Matilda Beam believes women ought to behave in order to find love. Its ludicrousness always makes me laugh and Ani Difranco’s raspy voice sounds so damn sexy in it.
This Can’t Be Love (Stacey Kent): The main romantic relationship in The Vintage Guide to Love and Romance is kind of screwball in nature with fast dialogue, disagreements and a touch of slapstick. This charming little song always puts me in mind of that.
Up All Night (Best Coast): I don’t know much about this band, but I stumbled upon this song on YouTube before I began work on the book and immediately felt it was a perfect fit for the character of Jessica Beam. It’s bursting with youthful longing and excess. I listen to this on repeat before working on emotionally charged Jess scenes.
And there you have my Undercover Soundtrack. Thanks so much for having me, Roz!
Kirsty Greenwood is an author of comedy romances, founding editor of Novelicious.com and director of the Novelicious Books imprint. She likes American TV, green clothes, Point Horror, Kristen Wiig and funny stories. She doesn’t like the Ironside theme tune or the phrase ‘nom, nom, nom’. Yours Truly is out now (Pan Macmillan). Find her on Facebook and tweet her on @Kirstybooks
Ani Difranco, authors, Best Coast, Bobby Helms, Boogie Woogie, Carole King, classical music, Color Me Badd, contemporary fiction, Danny Elfman, Desert Island Discs, drama, Duke Ellington, Eddi Reader, Ella Fitzgerald, entertainment, Fairground Attraction, George Fenton, George Gershwin, Grease 2, Hans Zimmer, Ironside, Jeff Buckley, John Grant, Kirsty Greenwood, Matilda Beam, music, music for writers, music for writing, musicians, My Memories of a Future Life, Nail Your Novel, Nora Ephron, Novelicious, Pan Macmillan, Phoenix, playlist for writers, Point Horror, romance, romcom, Rosemary Clooney, Roz Morris, Rufus Wainwright, Skeeter Davis, soundtrack, Stacey Kent, Stevie Wonder, The Andrews Sisters, The Undercover Soundtrack, Toni Braxton, undercover soundtrack, Women Writers, writers, writing, writing to music, Yours Truly
My guest this week says that for the first part of her life, performing music was everything to her. She spent most of her teenage years singing two-part harmony with her sisters and was set for a career in music when a bout of depression wiped out her desire to perform. During her recovery she began to write romantic comedy, which seemed a natural way to use her awareness of pacing, rhythm, texture and emotion, those innate senses that help us master the reader’s experience. Now she uses music for companionship while she writes and to put her into a creative state of mind. She is Kirsty Greenwood, romantic novelist and founder of the site Novelicious, and she’ll be here on Wednesday with her Undercover Soundtrack.
authors, depression, Desert Island Discs, drama, entertainment, Kirsty Greenwood, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Novelicious, performing, playlist for writers, Point Horror, romantic comedy, Roz Morris, The Undercover Soundtrack, undercover soundtrack, Women Writers, writers, writing, writing to music
- The Undercover Soundtrack is a series where writers - and occasionally other arty folk - reveal how music shapes their work.
- It began as a companion to my first novel, My Memories of a Future Life, and now thrives as a creative salon in its own right. Pull on your headphones and join us.
- If you're curious about the novel that started it all, click the image below.
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
Email merozmorriswriter at gmail dot com
- All content copyright Roz Morris 2011-2018. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
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What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'