Posts Tagged Missouri

The Undercover Soundtrack – David Biddle

for logo‘Sex, drugs, metaphysics and rock’n’roll’

Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold  a moment still to explore its depths. This week’s post is by novelist and Talking Writing columnist David Biddle @dcbiddle

Soundtrack by Jimi Hendrix, Elvis Presley, The Beatles, John Lennon, Jerry Garcia, Jim Croce, Robert Johnson, Jeff Buckley, Global Illage

My novel, Beyond the Will of God, is about many things: murder; rural Missouri in the heart of the summer; odd conspiracy theories; altered states of consciousness; and the realities of telepathy. Most importantly, though, this book is about the power of music and its connection to creativity, and what ultimately lies beyond death.

DCBiddle - HeadShot HiRezSorcerous Hendrix

The story begins as a murder mystery, but very early on the reader is confronted with the realization that there may be a sort of magic to music that we don’t understand — rock ’n’ roll music in particular. Understanding that magic is the real mystery of the book.

The idea came to me when I was 17 and had just discovered the sorcery of Jimi Hendrix’s guitar work. The first time I heard his masterpiece, 1983…(A Merman I Should Turn to Be), I became convinced that Hendrix had discovered a way to channel and tune human thought to a unified vibration. The title for my novel comes from a phrase in this song.

I wouldn’t start writing, though, for another 15 years. New Year’s Day 1990, I was listening to a radio special on Elvis Presley’s early career. Strains of acoustic guitar started up. A voice-over told us That’s Alright Mama was Elvis’s first hit. As I listened to The King of rock ’n’ roll, I saw a bar full of hard-drinking young people in rural Missouri listening to his first hit song, and an Amish boy sneaking in the back. I began to write. That work became the scene that is now in the middle of chapter one, ending with two characters lost in dark farm country hearing strange guitar music on the wind.

Sonic vibrations

I knew the story was a mystery-thriller, but it would also be about the power of sonic vibration of all kinds. The untimely deaths of so many great musicians and personalities in the 20th century would become the center of the plot I was concocting.

Whether we know it or not, our thoughts are connected to all the sound in our lives. One song I kept coming back to that helped me meld the CIA with the hippie search for ‘higher consciousness’ was The Beatles’ Tomorrow Never Knows. Even today, almost 50 years after it was recorded, the use of tape loops, sitar, non-standard rhythm, and Lennon’s lyrics can crack open the most stodgy artist’s mind.

Over time, as I wrote, I listened endlessly to music by artists who, like Jimi and Elvis, had all died before their time – Jim Morrison, John Lennon, Jerry Garcia, Jim Croce, etc.  Blues legend Robert Johnson’s story of selling his soul to the devil is where the black magic of rock ’n’ roll got its start. He died at the age of 27. In the classic Come On In My Kitchen he is haunting and mystical. Johnson has an important part to play in Beyond the Will of God.

Ideas of immortality

In the spring of 1997, I read about a singer and musician I’d never heard of before named Jeff Buckley. He’d just drowned in a channel of the Mississippi River in Memphis, Tennessee. As I read, it became obvious Buckley was important to my story. His highly regarded album, Grace, was a smorgasbord of new music inspiration. Last Goodbye is my favorite song, but the title track, Grace, speaks directly to the ethos of Beyond the Will of God. It is dark, swooning, and ponders the idea of immortality. The first draft would be completed shortly after discovering Buckley.

BWGNEWCoverBut I wouldn’t have been able to edit and re-write my first draft it if I hadn’t found the rather esoteric album, Sushilove Sessions, by the world beat-improvisational jazz combo Global Illage. There are no easily accessible renditions of Sushilove Sessions online, but check out this recent recording by two of the group’s musicians, talented drummer, Jim Hamilton, and guitarist extraordinaire, Tim Motzer. Here they are, recorded in the spring of 2013, improvising the composition As Real As Life.

I listened to Global Illage non-stop every night for 23 days doing the final re-write of Beyond the Will of God. It went from 450 pages down to 350. Sex, drugs, (metaphysics), and rock ’n’ roll all wrapped up in a murder mystery.

Along with his novel Beyond the Will of God, David Biddle has published two collections of short stories: Trying to Care (2011) and Implosions of America (2012). He has been writing professionally for over 30 years, publishing articles and essays in the likes of Harvard Business Review, The Philadelphia Inquirer, In Business, Huffington Post, Kotori Magazine, and BioCycle. He writes the ‘Talking Indie’ column at the online magazine Talking Writing. You can track him down at http://davidbiddle.net. Tweet to him as @dcbiddle

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Sex, drugs, metaphysics and rock’n’roll – David Biddle

for logoMusic, dead rock gods, psychedelia consciousnesses and the CIA – this novel definitely had to feature on the Undercover Soundtrack. Its title came from a Jimi Hendrix song, and germinated when the writer was just 17 years old. It took him another 15 years to write, though, when an Elvis track kicked his imagination and gave him a vivid scene set in a bar in rural Missouri. The novel is Beyond the Will of God, the writer is Talking Writing columnist David Biddle, and he’ll be here on Wednesday with his Undercover Soundtrack.

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The Undercover Soundtrack – GG Vandagriff

‘Vastly yearning, longing for resolution’

Once a week I host a writer who uses music as part of their creative process – perhaps to open a secret channel to understand a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s post is by award-winning novelist and incorrigible genre hopper @GGVandagriff GG Vandagriff

Soundtrack by Tchaikovsky, Rachmaninoff, Chopin, Shostakovich, Mendelssohn, Dvorak

Right next to my love of writing is my love of music. In fact, as I look at my novels, I find that music is inescapably woven through them. I take my literary cues from the music I listen to.

Another life

Tchaikovsky’s Violin Concerto in D Major was the inspiration behind my women’s fiction: Pieces of Paris. My heroine, Annalisse, is stuck in the Missouri Ozarks with her quixotic husband who thinks he has found the Garden of Eden. However, she grew up on a farm and knows that a farm is just a farm. She is overcome by PTSD and finds herself immersed in flashbacks of another life her husband knows nothing about.

Before that life ended tragically (thus causing her to bury the memories deeply), she was a concert pianist (Rachmaninoff’s Second Piano Concerto and Chopin’s etudes figure here). More importantly, she was passionately in love with a brilliant violinist consumed by the Tchaikovsky.

In creating that character, I also became consumed – both with him and with that amazingly complex composition. I played it as I wrote, and Jules became one of my most memorable characters. The concerto is vastly yearning, longing for resolution. Jules’s character development traced the concerto’s. In the same way, as I wrote this book during my 25-year apprenticeship, I was yearning for the completion that only writing could give me. I was stretching, as the violinist stretches in this composition. It was plainly the soundtrack for my literary life.

In my most recent book, The Only Way to Paradise, a tale of four women who find hope and healing in Italy, two of my ‘crazy ladies’ are violinists. Arthritis has stricken Georgia, ending her career as a violin sensation. The Mendelssohn Violin Concerto was her signature piece, and she played it ‘like silk’. As I wrote of Georgia and her memories, I played the concerto as my soundtrack. When she thinks she wants to end her life, she hears through her window in Florence, the sound of the Dvorak violin concerto played by an anonymous virtuoso. The Slavic melody of the music echoes her mood, but saves her life. The violinist turns out to be one of her companions, whom she undertakes to mentor.

Not a note

It is one of life’s great ironies that I understand music, but cannot play a note, nor even read it! However, I cannot live without it. Now, as I write a frothy romance, I am listening to a lot of Bach and Puccini Arias. Except for the duel scene—that is accompanied by Shostakovich’s uber-dramatic Fifth Symphony!

GG Vandagriff is the author of 12 books and an inveterate genre hopper. She has a series of five mysteries, two suspense novels, one award-winning historical epic, two novels of women’s fiction, and two non-fiction. She is also a journalist, writing for an on-line magazine and Deseret News. Educated at Stanford, she studied music at Stanford-in-Austria. Her latest book is another genre hop into romance, The Duke’s Undoing. Find her on Twitter, her website and her blog.

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