My new novel isn’t set in the world of music and none of the characters are musicians. It’s a quirky take on the future dystopia/utopia, with a smattering of Arcadia too – misty woods, abandoned towns, a forbidden life by night; the scent of bygone days; and an enigmatic door in a dream. Behind the scenes, though, music did all the early work for me. The first, rough outline came to me from favourite tracks by Boards of Canada, Peter Gabriel, Vangelis, Enya, Ralph Vaughan Williams and the Hungarian electronica composer Gabor Presser. As I built the story I listened to them repeatedly, and now each of them represents a landmark on my main character’s journey. Join me here on Wednesday, when I’ll explain the Undercover Soundtrack for Lifeform Three.
‘To draw a curtain around a mental space’ – Bryan Furuness
My guest this week measures his novels in rainstorms. More accurately, I should say he measures them in how many times he has listened to one rainstorm during the writing. His novel is about a dreamy and messianic boy, and he used a loop of weather noises to cocoon himself in a mental space where he felt composed enough to write. The result is a meditative post, perhaps perfect for summer days in the drowsy grip of a heatwave. His name is Bryan Furuness and he’ll be here on Wednesday with his Undercover Soundtrack.