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Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week’s post is by NYT bestselling author and ghostwriter Joni Rodgers @JoniRodgers
Soundtrack by Patsy Cline, Nick Drake, Jefferson Airplane, Claudia Schmidt, Johnny Cash, Willie Nelson
Of course, the song that had the greatest influence on Crazy for Trying is the song that gifted the book with the perfect title: Willie Nelson’s Crazy recorded by Patsy Cline in 1961 and by many others since then. Nelson (who was just a journeyman songwriter back then) actually wrote the song for Billie Walker, who rejected it because it seemed like ‘a girl’s song’, which means, I suppose, that it’s gentle and vulnerable, filled with longing and a willingness to love with no hope of being loved in return. But I see those qualities as strengths, not weaknesses, and I wanted Tulsa’s story to deliver exactly the same vibe we get from Patsy Cline’s powerhouse rendition. Crazy features several times in the book, informing and giving voice to both main characters.
The earliest version of the manuscript took shape while I was living with my husband on a fire tower on Weaver Bally, a 9,000 foot peak in the Trinity Alps wilderness area in Northern California. I originally thought I was writing a stage play with music, so I sat out on the catwalk with my feet up on the rail, my guitar on my lap and a yellow legal pad between my knees.
I had the plot in mind, knew the characters, and had a list of songs, which I thought would be apt and entertaining in the show. Among these were Pink Moon by Nick Drake, Somebody to Love by Jefferson Airplane and Spoon River, done here by Michael Peter Smith. (I love Claudia Schmidt’s version.) Drinking Buddy by Claudia Schmidt makes perfect sense of the relationship between Tulsa and Mac.
A book, actually
While I was learning it, I started to feel that the songs were actually informing and developing the characters in ways that went beyond dialogue, evolving into more back story and subtext than were practical for a small stage. I started thinking maybe I was actually writing a book. And then I quickly glanced over my shoulder, burning with shame at my audacity for even considering the possibility that I could actually write a book. It took another ten years for me to embrace the idea and find time and quiet to do the work; I finished my first novel in isolation, undergoing chemotherapy for non-Hodgkin’s lymphoma. I do not recommend this as a great way to write one’s debut novel, but it worked for me.
Originally titled Last Chance Gulch, my debut novel was published by MacMurry & Beck in 1996. Brainstorming titles, my editor, Fred Ramey, suggested Crazy for Trying, and it resonated like a gong. It’s so perfect; I wish I could say I was the one who thought of it. The only downside is occasionally being referred to as Joni (Crazy for Trying) Rodgers — which is probably not completely inaccurate.
In the years after Crazy for Trying was originally published, I’d occasionally hear a song that actually opened my eyes to aspects of the story I hadn’t fully thought through as a debut novelist, and I started banking them in a file, thinking I might revisit the book and indie publish a sort of “director’s cut” after it went out of print and I regained the rights, which finally happened in 2008.
While I worked through the second edition, two songs in particular kept me grounded in my goal to be true to the original while allowing it to benefit from 20 years of hard-earned wisdom and craft experience: Johnny Cash’s haunting cover of the Nine Inch Nails heart-wrencher Hurt says everything you need to know about the wrung out heart of an aging drug addict. Willie Nelson’s take on Coldplay’s The Scientist brings such a gracefully aged wisdom to that song about the task of loving, and his familiar voice brought me back to where I began.
The Crazy for Trying second edition debuted as part of Outside the Box: Women Writing Women, a box set of seven stellar novels featuring extraordinary women characters, and will be released next year in paperback to celebrate the 20th anniversary of the book’s original publication. In addition to her own critically acclaimed novels and memoirs, NYT bestselling author Joni Rodgers has collaborated as ghostwriter/ book doctor on a number of celebrity book projects, including Part Swan, Part Goose with Broadway icon Swoosie Kurtz (Perigee 2014). She lives in Houston, Texas with her husband of 30 years, mechanic/ winemaker/ voracious reader Gary Rodgers. Joni’s books and video book reviews can be found at www.jonirodgers.com. She is the founder of the League of Extraordinary Authors and you can also find her on Twitter @JoniRodgers.
LIMITED OFFER Psst… Outside The Box: Women Writing Women is available only until 24 May. 7 full-length novels for £7.99, including My Memories of a Future Life by yours truly. And it vanishes on 24 May.
bestselling author, Claudia Schmidt, contemporary women's fiction, Crazy For Trying, debut novelist, Jefferson Airplane, Johnny Cash, Joni Rodgers, music for writing, Nick Drake, Outside the Box, Patsy Cline, playlist for writers, strong women, Swoosie Kurtz, The Undercover Soundtrack, vulnerable women, Willie Nelson, Women Writers
My guest this week returns for her third appearance on The Undercover Soundtrack. And it’s for her first novel, which she’s reissuing in a director’s cut, after reclaiming the rights. Plotlines and characters have been reimagined according to her original vision, and music was vital to recreating the book in her mind. Indeed, the story began in music, as she initially didn’t even realise her idea was destined to be a novel. She relates in her post how she’d sit on a gantry with guitar and writing pad, imagining a stage play with songs. But then the back story began to take shape, and the subtext, and before she knew it, a novel was born. She is NYT bestselling author and ghostwriter Joni Rodgers, one of my partners in crime at the Women Writing Women box set, and she’ll be here on Wednesday with the Undercover Soundtrack for the novel she contributed, Crazy For Trying.
- The Undercover Soundtrack is a series where writers - and occasionally other arty folk - reveal how music shapes their work.
- It began as a companion to my first novel, My Memories of a Future Life, and now thrives as a creative salon in its own right. Pull on your headphones and join us.
- If you're curious about the novel that started it all, click the image below.
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
Email merozmorriswriter at gmail dot com
- All content copyright Roz Morris 2011-2019. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'