My guest this week grew up in the Mojave desert where rain was a rarity. So a key for her creative space is the sound of wild, wet weather. Sometimes it’s tracks that include storm noises, but she’ll just as easily tune into a rain station at the same time as a piece of music. The sounds go in tandem, whipping up just the right tumult for her writing. So it’s probably not surprising that her work has a Gothic element; she writes what she describes as Victorian and Gilded Age with a Gothic twist. It certainly went down well with USA Book News, who voted her first novel 2013’s best cross-genre title. She is Stephanie Carroll and she’ll be here on Wednesday with her Undercover Soundtrack.
‘To draw a curtain around a mental space’ – Bryan Furuness
My guest this week measures his novels in rainstorms. More accurately, I should say he measures them in how many times he has listened to one rainstorm during the writing. His novel is about a dreamy and messianic boy, and he used a loop of weather noises to cocoon himself in a mental space where he felt composed enough to write. The result is a meditative post, perhaps perfect for summer days in the drowsy grip of a heatwave. His name is Bryan Furuness and he’ll be here on Wednesday with his Undercover Soundtrack.