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Once a week I host a writer who uses music as part of their creative process – perhaps to tap into a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s post is by award-winning fiction and non-fiction writer Jonathan Pinnock @jonpinnock
I very rarely listen to music when I’m writing because it seems to play havoc with the creative bits in my brain, so with one exception – which we’ll come to later – none of the music that inspired the stories in “Dot Dash” was actually in the background when they were being written.
That said, there is a lot of music lurking behind Dot Dash. A couple of the stories were inspired by two of my favourite Richard Thompson songs: The Amazing Arnolfini and His Wife by The Great Valerio, and Piss and Patchouli by Beeswing. The Great Valerio wasn’t a direct influence, I guess, but I think it planted in my mind the idea that a tightrope walker – or indeed a tightrope-walking couple – could make for a powerful metaphor as well as being able to induce a sense of vertigo in the reader. It’s never a bad thing to make the reader feel a bit uneasy, and if you’re going to stage an argument, halfway across Niagara Falls is as good a place as any.
Beeswing – one of the most poignant songs ever written – has a closer relationship to my story, in that both are about a relationship with a self-destructive free spirit, and the choices to make between settling down and cutting loose. In the end, I gave John Martyn a namecheck in the story rather than Richard Thompson himself, probably because Thompson’s still a bit of a geek’s idea of a folk singer. I remember spotting a reference to him in Nick Hornby’s High Fidelity and thinking to myself that it was absolutely spot on.
The first full-length story in the book, Convalescence, owes a lot to Gary Gilmore’s Eyes by The Adverts, taking the premise of that song – what if you were given the eyes of a serial killer? – just a little bit further. The wonderful thing about punk was that it not only gave anyone permission to pick up a guitar and play, but that it also gave them permission to write a song about almost anything and this is an excellent example of that.
There’s one story in the book, Unfinished Symphony, that is actually about a piece of music – a beautiful, minimalistic piece deriving from nature that reduces an audience to tears. The problem is that the piece I’ve described in the story could never really exist! However, I think the composer that comes closest is probably Einojuhani Rautavaara, who wrote the extraordinary Cantus Arcticus, a concerto for Birds and Orchestra.
The one time that I did specifically listen to a piece of music for inspiration was when I was writing Mr Nathwani’s Haiku, when I wanted – somewhat presumptuously – to locate an Asian voice. So I put on a wonderful Asha Bhosle compilation, The Golden Voice of Bollywood, and by the time the CD had finished playing, I had the bare bones of the story down.
Jonathan Pinnock leads a dual life. In one half, he runs a software development company. In the other he is a writer of fiction and non-fiction. His Scott Prize-winning short story collection Dot Dash is published by Salt. His novel, Mrs Darcy versus the Aliens is published by Proxima Books. Find him on Twitter at @jonpinnock and on his website and blog.
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My guest this week says he has simple requirements of a good story: he wants to be moved. And so when he writes he seeks to do the same. But he was struggling to get inside the skin of the mother-son duo in his latest novella I’m Ready Now – until some songs took him by surprise. He is Nigel Featherstone, an award-winning novelist, short-story writer, creative journalist and founder of an online literary journal – and he’ll be here on Wednesday with his Undercover Soundtrack.
authors, contemporary fiction, Desert Island Discs, drama, entertainment, I'm Ready Now, literary fiction, literary journal, literature, male writers, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Nigel Featherstone, novella, novellas, playlist for writers, Roz Morris, short stories, short story, The Undercover Soundtrack, undercover soundtrack, writing to music
- The Undercover Soundtrack is a series where writers - and occasionally other arty folk - reveal how music shapes their work.
- It began as a companion to my first novel, My Memories of a Future Life, and now thrives as a creative salon in its own right. Pull on your headphones and join us.
- If you're curious about the novel that started it all, click the image below.
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
Email merozmorriswriter at gmail dot com
- All content copyright Roz Morris 2011-2020. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'