Posts Tagged The Civil Wars
The Undercover Soundtrack – Nicole Evelina
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on February 14, 2017
The Undercover Soundtrack is a series where I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week my guest is award-winning historical fiction and contemporary romantic novelist Nicole Evelina @nicoleevelina
Soundtrack by Sting, Fever Ray, The Civil Wars, Black Veil Brides
Every one of my books has a theme song/album – music without which the book never would have been written.
Capturing the essence of a legend
The theme song to the Guinevere’s Tale trilogy is “ Thousand Years by Sting. This song came out just weeks after I began writing Daughter of Destiny, the first book in the series. There is something about the cyclical sound of the melody that calls to mind reincarnation, the thousands of versions and re-tellings Arthurian legend has gone through over the ages. It also evokes to me the changing nature of the characters as artists reinvent them to fit their time. In the prologue to the book, Guinevere explains that not a single version you’ve heard has been right; she is going to set the record straight in the trilogy by telling the true story of her life. In so doing she can reclaim her name and her dignity from years of slander and abuse.
Plunging into the mind of a killer
The sequel, Camelot’s Queen, has one of the longest playlists of any of my books, most songs aligning with or inspiriting certain scenes. But the most influential album was the soundtrack to the movie Red Riding Hood, specifically the songs by Fever Ray, The Wolf and Keep the Streets Empty for Me. I listened to that soundtrack over and over while I wrote the section of the book dealing with Guinevere’s kidnapping by Malegant – one of the most detailed and longest parts of the book, and also my favorite. There is something feral about this music – wild, dangerous and dark – that fit perfectly with evil in Malegant’s soul. For Guinevere, the experience was the ultimate nightmare, not just for any woman, but especially for a priestess and queen. By his vile actions, Malegant stripped her of her power and her dignity, and unknowingly changed the course of her life – and that of all of Camelot. Scenes of such dark subject matter and import need equally powerful music. It doesn’t hurt that these songs could well have been used for a Samhain ritual, the event during which Guinevere’s torment begins.
Longing for an unknown love
My contemporary romantic comedy, Been Searching for You, actually came about because of a song. In November 2012, my best friend introduced me to the song To Whom it May Concern by The Civil Wars. Knowing I’m a die-hard romantic still looking for my soul mate, she thought I’d be able to relate to the lyrics about missing and waiting for someone you’ve never met, but you are certain is out there. Oh boy, did I. That song is actually why Annabeth writes letters to her soul mate on her birthday each year in the book.
As I got to know more of The Civil Wars’ music, I fell in love with a second song, Dust to Dust. It feels to me very much like a bookend to To Whom it May Concern. To me, it’s the song for when the two lovers who hadn’t met yet in To Whom It May Concern have gotten together, overcome their struggles and realised they finally found one another. So I challenged myself to write a story that began with the words ‘To whom it may concern’ and ended with the words ‘dust to dust’. That book is Been Searching for You.
Remembering a forgotten historical heroine
Not many people would put a metal song and a feministic manifesto at the top of their influences for writing biographical historical fiction about the first woman to run for President in the United States in 1872 – but I think we’ve already established I’m not normal. In the End by Black Veil Brides is my song explaining the urgency I felt to write Madame Presidentess, the story of Victoria Woodhull, a nearly forgotten, but crucial, figure of the American suffrage movement. There’s a line that asks who will tell the story of a person’s life. I was that person for Victoria. I also loved the theme of not being afraid to die and leaving something behind for future generations, both of which Victoria would very much be in agreement with. As a spiritualist, for her death and life were one, and I have a feeling she’s still not done doing her work here on earth – or at least not until her name is in the history books where it belongs.
Victoria’s theme song is Woman (Oh Mama) by Joy Williams (formerly of The Civil Wars). It chronicles woman’s roles throughout history – caregiver, life bringer, helpmeet and victim – how she has been seen by men – from Madonna to whore and back again – and the identities she has reclaimed to be her own – goddess and fabric of the universe. Victoria was a very strong woman, who by her own admission was years beyond her time, so I know she would proudly sing this song and declare herself strong and free.
Nicole Evelina is a multi-award winning historical fiction and contemporary romantic comedy author from St. Louis, Missouri. Her debut novel, Daughter of Destiny, was named Book of the Year by Chanticleer reviews. She’s now at work on her first non-fiction book, tracing the evolution of Guinevere over the last 1,000 years of literature, and is also finishing the final book in her Guinevere’s Tale trilogy, Mistress of Legend, which will be published later this year. Learn more about her at nicoleevelina.com or follow her on Twitter, Facebook, Instagram or Pinterest.
‘Cyclical melodies, beginnings and endings’ – Nicole Evelina
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on February 13, 2017
I had a hard time this week picking just one pull quote to represent my guest’s work. She’s a writer of two halves – historical romantic fiction and contemporary romance. And she’s now also venturing into biographical historical fiction as well. The common thread is always music. A song by Sting that evoked for her a sense of an untold angle for the Arthurian legend. Or a friend who recommended music by The Civil Wars that gave her the opening and closing lines of a modern romance. What could be more fitting with Valentine’s just around the corner? Drop by tomorrow for the Undercover Soundtrack of Nicole Evelina.
The Undercover Soundtrack – Clare Flynn
Posted by Roz Morris @Roz_Morris in Undercover Soundtrack on August 26, 2015
‘Watching the wintry sea and reflecting on a marriage’
Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week’s guest is Clare Flynn @ClareFly
Soundtrack by Artie Shaw, Debussy, Ravi Shankar, Noel Coward, Pasadena Roof Orchestra, David Gray, The Civil Wars, Joni Mitchell, Martha Wainright, JJ Cale, Robert Plant, Alison Krauss, Dean Owens, the Beatles, Fairport Convention, the Black Keys, Pussycat Dolls
When writing Kurinji Flowers I had to spend a lot of time inside the head of my character Ginny Dunbar – not always a good place to be. I tend to work in silence but music plays a massive part in my writing. It helped me get close to Ginny – and sometimes to get away from her. It also took me to Ginny’s world: 1930s England and colonial India.
When the book opens Ginny is 17 and a reluctant debutante, in thrall to an older man who seduced her at 14. Rupert Milligan is playing Artie Shaw in his studio when Ginny’s mother finds out about their affair. The song here is Cole Porter’s Begin the Beguine. We had the old 78 RPM disc of this when I was a child so it was nostalgic as well as mood enhancing.
Ginny’s honeymoon is in the Grand Hotel, Eastbourne, from where the BBC broadcast its popular radio show From the Palm Court. In 1936 the orchestra was led by a violinist, Tom Jones. Here he is playing with his ensemble in the hotel in 1933.
The sound of the orchestra had kindled a sense of romance in me but it had failed to move my husband”
I visited the Grand and the bedroom where Ginny would have stayed. It has a balcony looking out over the sea and is known as the Debussy suite. The composer had an extended stay in the hotel in 1905 and composed La Mer there. Ginny stands on the balcony, watching that same wintry sea and reflecting on her marriage.
Most of Kurinji Flowers is set in India so I played a lot of Ravi Shankar to create the ambience in my head – this is Raag Jog. As an ex-pat, Ginny had no immediate access to the indigenous culture and was forced to show up and fly the flag at the Planters’ Club, so I listened to Noel Coward, whose classic Mad Dogs and Englishmen fits perfectly, as well as the Pasadena Roof Orchestra – here singing Me and Jane on a Plane.
Love, Loneliness, Lies, Letters and Loss
David Gray’s Sail Away is particularly poignant as it is a declaration of love and a desire to escape with a lover – but Ginny’s husband sails back to India ahead of her and she follows, alone, weeks later. The song conveys what she would have liked but didn’t get.
When Ginny does find love, it doesn’t bring the happiness she’s dreamed of. I was listening to Barton Hollow by the Civil Wars while I was writing the book. Their version of Leonard Cohen’s Dance me to the End of Love is romantic but also plaintive and sad. The harmonies the duo create are a perfect combination of two voices. Sadly they broke up in 2014 – which makes it even more fitting.
Ginny’s loneliness is existential. She’s full of good intentions that always backfire. She desperately wants to love and be loved. Joni Mitchell’s All I Want sums it up well – she’s on a lonely road looking for something but doesn’t know what it is – just like me at the same age – when it was one of my favourite songs. I tuned into Ginny’s misery via Martha Wainwright’s Bleeding All Over You:
Grief, pain, betrayal, gnawing me away like a rat devouring me from the inside. Killing me slowly.”
Most of the men in Ginny’s life lie to her. JJ Cale’s Lies captures the I’m-mad-as-hell-and-I’m-not-going-to-take-this-any-more moment and the anger and liberation that comes out of it. Ginny feels that anger when she discovers the truth that has been hidden so long.
I’ve always loved using letters. Unlike speech, which is transient and capable of misinterpretation and memory lapse, the words of letters are frozen on the page. The act of writing a letter conveys significance to an event. It allows the writer to say exactly what he is thinking and get it across without interruption from the recipient. Please Read the Letter by Robert Plant and Alison Krauss was a perfect song to channel what my letter writer was feeling.
I was listening to Dean Owens when I was finishing off Kurinji Flowers. One of my dearest friends was dying – and Dean’s music was important to her. Evergreen is all about bereavement and the memories of love.
I had no photographs from that day to draw upon. Only my still vivid memories.”
And I Still Miss Someone, Dean’s version of the Johnny Cash song, captures how the hole love leaves is never filled.
The passage of time
The last section of the book is set in the 1960s. Ginny revisits the pub where her husband proposed to her 30 years earlier. Like so many of her generation, she is out of her time in the swinging 60s. The war changed everything and she is an alien in a strange country. She hears the Beatles song playing on the juke box as a couple are snogging in the seat where Tony proposed to her so formally in 1936.
Yes, love was all I needed but it was everything I hadn’t got”
The incomparable Sandy Denny of Fairport Convention with Who Knows Where the Time Goes? worked perfectly to give me a sense of time passing, of aging, of loss, of change. A kind of weariness.
Winding down
When I’m writing about sad stuff I need a pick-up at the end of the day. Sitting at a desk in front of a computer means my bones need shaking up too, so my soundtrack has to include music to listen to with a glass of wine, cooking my supper and dancing round the kitchen. What better than Lonely Boy from The Black Keys – the YouTube video features some classic Dad Dance moves. And to go with it, but with a nod to the Indian setting, is AR Rahman’s Jai Ho by the Pussycat Dolls – a celebration of life – and a good fit for the end of the book.
Clare Flynn is the author of A Greater World and Kurinji Flowers. After a career in marketing, working on brands from nappies to tinned tuna and living in Paris, Milan, Brussels and Sydney, she is now happily settled in West London. Co-founder of the popular website, Make it and Mend It and co-author of the 2012 book of the same name, her next novel, Letters from a Patchwork Quilt, will be published later this year. Find her on her website, Facebook, and Twitter as @ClareFly.