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Once a week I host a writer who uses music as part of their creative process – perhaps to tap into a character, populate a mysterious place, or explore the depths in a pivotal moment. This week’s post is by thriller writer Kelly Simmons @kellysimmons
Of all the issues that divide writers – to tweet or delete, to Skype or to not, handwritten first drafts? Are you kidding me?—the greatest dividing line seems to be between those who write with music, and those who don’t.
I have a foot in both camps. I don’t listen to anything during the first draft – I don noise-cancelling headphones because even relaxing sounds like birds or waves irritate the crap out of me —but I crank it up during revisions.
There is something about the enormity of the revision task that requires pumping up, like music during a marathon run. And like many writers, I enjoy pairing the music to the task.
My favorite secret weapon is soundtracks. Soundtracks from movies and TV help me think visually, help frame out scenes. It all started when I was writing an unpublished novel about a mob wife in South Philly. The Sopranos soundtrack was an unbelievable inspiration to me over three years of revisions. It kept me focused on the violence, but also the humanity, of that world.
For my first published novel, Standing Still, about a woman with panic attacks who offers her life in exchange for her daughter’s mid-kidnapping, I relied on soundtracks with plenty of tension and pathos – and surprisingly, the soundtrack to Grey’s Anatomy, with its wealth of new artists, proved helpful and poignant. The lyrics to Snow Patrol’s Chasing Cars still go through my head when I think of the kidnapper and kidnappee telling each other their darkest secrets in a motel room.
Another great side benefit of the soundtrack is that while some of the selects will have lyrics, many will be instrumental. An instrumental piece doesn’t crowd into my thinking space the way songs with lyrics do. For my latest novel, The Bird House, about a grandmother with Alzheimer’s struggling to connect with her granddaughter and remember the secrets of her past while chasing down a mystery with her daughter-in-law and son, I listened to the Philip Glass soundtrack to the movie Notes On a Scandal, which offered just the right amount of tension for the scenes in my book when the grandmother steals her daughter in law’s phone, and follows her after seeing her kiss a strange man on a jogging path.
Listening to music from that film, movie, particularly since it starred Judi Dench, who could easily step in to the role of Ann in The Bird House, helped me think about the characters and plot beats differently – more like a screenwriter. And that keeps your novel taut and faster paced.
Like storyboarding on Pinterest – another helpful obsession – music can inspire a novel to feel more cinematic. And if that leads to a movie deal, well, cue the Rocky soundtrack on that, and I’ll run up the stairs at the Philadelphia Art Museum.
Kelly Simmons is the proud recipient of starred reviews from Kirkus and Publishers Weekly for her novels from Simon & Schuster: Standing Still and The Bird House. She is a former journalist and advertising creative director. Her website and blog live at www.bykellysimmons.com And she quips on Twitter: @kellysimmons
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- The Undercover Soundtrack is a series where writers - and occasionally other arty folk - reveal how music shapes their work.
- It began as a companion to my first novel, My Memories of a Future Life, and now thrives as a creative salon in its own right. Pull on your headphones and join us.
- If you're curious about the novel that started it all, click the image below.
- Join 15,016 other subscribers
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
Email merozmorriswriter at gmail dot com
- All content copyright Roz Morris 2011-2023. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'
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