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Once a week I host a writer who uses music as part of their creative environment – perhaps to connect with a character, populate a mysterious place, or hold a moment still to explore its depths. This week my guest is Writer Unboxed co-founder Therese Walsh @ThereseWalsh
Soundtrack by Robert Plant, Alison Krauss
I haven’t been shy in admitting that I wrote much of my second novel, The Moon Sisters, in a state of fear. Fear that I wouldn’t be able to finish the draft, that I didn’t have a second book in me, that I’d fail despite — or because of — a two-book contract. But a duo of songs helped root me to characters in my story, and whenever I needed to be reminded that these characters deserved for their tale to be told, I brought up this particular music.
Both songs are from an album featuring Robert Plant and Alison Krauss called Raising Sand. The album is laced with conflicting ideas that somehow work; it’s there even in the notion that rocker Plant and bluegrass star Krauss might make music together. But there’s also balance and ingenuity with the merging of their unique approaches; and if this music lives at the edges, then it fits all the better with my lives-at-the-edges novel and its characters.
A gypsy quirk
Sister Rosetta Goes Before Us, sung by Krauss, is the first song that spoke to me, with a gypsy quirk and haunting melody. Its bluegrass spirit complements the setting of the book, West Virginia, where you might indeed hear the bright pluck of a banjo marry with the darker sound of a tensely bowed violin.
This was the perfect anthem for Olivia Moon, who sets off by foot at the beginning of The Moon Sisters to find a will-o-the-wisp light in order to fulfill her dead mother’s dreams. She’ll wander and hop a train and sleep under the stars, stretching personal boundaries that are already plenty different from those around her—especially her sister, Jazz, who has the opposite of a gypsy’s spirit and would rather be in control and safe and left to herself, thankyouverymuch.
It wasn’t just the sound of the music that summoned up Olivia Moon for me; the lyrics were spot on, too. Mmm, don’t you love the poetic weirdness of this? I do. Music, summoned from somewhere unknown. Secrets. The sound of hope. Olivia Moon loves this song. I would venture to say that it’s her favorite. She sways out of time with the music because she’s pondering the sound of hope, even the taste of it. She has synesthesia, a condition whereby her sensory areas are jumbled. She can tell you about coloured letters and the look of a song up above your head, or the way the sun smells like her mother. (She probably won’t want to talk about why she stared at the sun after her mother died and why she’s lacking her central vision, but maybe you’ll pull it out of her before the end of the book.)
The second song that spoke to me, sung by Plant, is called Nothin and immediately called to mind an essential character: a train-hopping drifter named Hobbs. Hobbs hasn’t had an easy life, and this song’s driving blend of eff-you electric guitar, down-home-and-dirty fiddle, and what-ya-gonna-do-about-it tambourine speaks to that. It evokes a damaged person, and if you were to stick a label on Hobbs you might choose that word — damaged. He’d notice that and pat you on the back for your smarts, then send you on your way without hearing an argument.
Motherless Hobbs nodded whenever this song played, and wasn’t one to condemn Olivia’s staring at the sun either, maybe because he understood that bit in the second-to-last verse about how being born is going blind.
The tune itself is dark and uncomfortable and winding, like a train, and feels too personal yet I never could turn away from it. Listening to it helped me to stick with the story, which was just as dark and uncomfortable and winding, and made it just as impossible to turn away from it.
Thank you, Roz, for the chance to share the sound behind the story.
Therese Walsh’s second novel, The Moon Sisters, is published by Crown (Random House). She’s the co-founder and editor-in-chief of Writer Unboxed, a site that’s visited daily by thousands of writers interested in the craft and business of fiction. You can learn more about her and her books on her website, Facebook and Twitter.
GIVEAWAY Therese is giving away a print copy of The Moon Sisters to a commenter here! To enter, leave a comment here, and if you share the post on other social media that counts as extra entries (but don’t forget to note that in your comment on this post)
Alison Krauss, authors, bluegrass, contemporary fiction, Desert Island Discs, drama, entertainment, free book, giveaway, literary fiction, literary novels, Moon Sisters, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, Olivia Moon, playlist for writers, Robert Plant, Roz Morris, second novel, The Moon Sisters, The Undercover Soundtrack, Therese Walsh, undercover soundtrack, Women Writers, Women's fiction, Writer Unboxed, writers, writing, writing to music
My guest this week felt daunted when she embarked on her second novel, worried that she didn’t have the mileage to finish. A duo of songs kept her on course, gave her confidence and made her believe in the reality of her characters and their story. And two is a recurring theme as her novel centres around a pair of sisters with damage, strange hearts and unusual senses. As co-founder and editor-in-chief of Writer Unboxed, my guest is well known to thousands of writers interested in the craft and business of fiction; she is Therese Walsh and she’ll be here on Wednesday with her Undercover Soundtrack.
authors, contemporary fiction, Desert Island Discs, drama, entertainment, literary fiction, literary novels, music, music for writers, music for writing, My Memories of a Future Life, Nail Your Novel, playlist for writers, Roz Morris, second novel, The Moon Sisters, The Undercover Soundtrack, Therese Walsh, undercover soundtrack, Women Writers, Women's fiction, Writer Unboxed, writers, writing, writing to music
- The Undercover Soundtrack is a series where writers - and occasionally other arty folk - reveal how music shapes their work.
- It began as a companion to my first novel, My Memories of a Future Life, and now thrives as a creative salon in its own right. Pull on your headphones and join us.
- If you're curious about the novel that started it all, click the image below.
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
Email merozmorriswriter at gmail dot com
- All content copyright Roz Morris 2011-2020. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'