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My guest this week is the author of Girl on a Train. No, another girl, another train. I first came across her work when she wrote very entertainingly about how her psychological thriller had been mistaken by readers for the much-hyped title by Paula Hawkins. And they were happy to have found her, for she gained many new fans. I then discovered she used to be a musician, and has played in all the major London concert halls, so I had to enquire whether music played a role in her writing. It certainly does – she has written a haunting, thoughtful post about the music that helped her layer her work with complexity, loss and betrayal, especially movie soundtracks like Blue Velvet and Let The Right One In. She is AJ Waines and she’ll be here on Wednesday with her Undercover Soundtrack.
AJ Waines, Blue Velvet, book titles, classical musician, does music help you write, Girl on a Train, Let The Right One In, music and writing, musicians who write fiction, Paula Hawkins, psychological thriller, The Girl on The Train, The Undercover Soundtrack, undercover soundtrack, Women Writers, Women Writers Women Books, writers and music, writers who are inspired by music
- The Undercover Soundtrack is a series where writers - and occasionally other arty folk - reveal how music shapes their work.
- It began as a companion to my first novel, My Memories of a Future Life, and now thrives as a creative salon in its own right. Pull on your headphones and join us.
- If you're curious about the novel that started it all, click the image below.
Kobo featured book, London Book Fair 2013
Seal of Excellence for Outstanding Independent Fiction, Awesome Indies 2013
Underground Book Reviews Top Summer Read 2012
League of Extraordinary Authors Top 10 Indie Elite 2012
Multi-Story Pick of the Month March and October 2012
Alliance of Independent Authors Book of the Month, January 2013
Email merozmorriswriter at gmail dot com
- All content copyright Roz Morris 2011-2020. Nothing may be reproduced without my express permission in writing beforehand. Photography: Bonnie Schupp Photography, gcg2009 and Roz Morris
What is The Undercover Soundtrack?Sleeve notes here
For the soundtrack of My Memories of a Future Life, you'll need Chopin's Sonata in B Minor, Rachmaninov preludes, lashings of Grieg's piano concerto in A minor and The Clash's Rock the Kasbah (they go together well).
You'll also need Samuel Barber's Dover Beach on piano, although that doesn't actually exist so do the best you can.
And the novel's undercover pieces. You can find them here
- What's on their soundtracks? Zip down to the footer and you can search by artiste or composer. See who shares your taste in inspirational music
Find something unforgettable
- Power stations of the mind – a piece of Not Quite Lost at the Liminal Residency
- ‘More life is lived in a service station than in a castle…’ – discussing the wonder of abandoned spaces with Krishan Coupland of The Liminal Residency
- Hit the ground running with your first pages – 5 book openings critiqued by a literary agent (and me!) at Litopia
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- 'My Memories of a Future Life is a poignant story steeped with melancholy, edged with a desperate hope, and twisted throughout with darkness and humor'
- 'Some of the sharpest writing I've read in a long while'
- 'The feel of a modern-day witch trial with a tense romance'
- 'Clever when you think about it afterwards; haunting and engrossing while you're reading'